Pip Chodorov

Gallery Unavailable

Birthplace:
New York, New York

Pip Chodorov, born April 13, 1965 in New York, has been making films and composing music since 1972. He studied cognitive science at the University of Rochester, NY and film semiotics at the University of Paris, France. Work in film distribution - previously Orion Classics, NYC; UGC, Paris; Light Cone, Paris; and, currently, Re:Voir Video, Paris, which he founded in 1994 (www.re-voir.com) and The Film Gallery, the first art gallery devoted exclusively to experimental film (www.re-voir.com/gallery). He is also co-founder of L'Abominable, a cooperative do-it-yourself film lab in Paris, and the moderator of the internet-based forum on experimental film, FrameWorks.

Additional information:

The Search Form


Camera Operator:
1999  Traces fantômes, le musée d'un rêve
2002  Jonas Keeps Shooting Around

Cinematography:
1999  Traces fantômes, le musée d'un rêve
2002  Jonas Keeps Shooting Around
2011  Free Radicals: A History of Experimental Film

Director:
1989  Numéro 4
1990  The Photographer
1995  End Memory (Impromptu)
1996  Paris at the Turn of the 21st Century
1997  US Rushes
1998  Charlemagne
1998  Imaginary Friend
1999  Atterrissage
1999  Traces fantômes, le musée d'un rêve
2001  Anthology Film Archives
2002  Charlemagne 2: Piltzer
2002  Jonas Keeps Shooting Around
2003  A Visit to Stan Brakhage
2003  The Spells of Kenneth Anger
2004  Portrait of Maurice Lemaître
2006  Making of Dyn Amo
2007  Wrong Moves
2008  Butterfly Experiment
2010  Charlemagne 3 : Pastrami Recordings
2011  Free Radicals: A History of Experimental Film
2017  Patrick Bokanowski - Genesis of 'Un rêve solaire'
2017  Patrick Bokanowski : visite à l'atelier
2019  Jacques Perconte - Decompositions
2022  Rooftop Flicker
????  Stranger

Music:
1989  Numéro 4
1990  The Photographer
1995  End Memory (Impromptu)
1996  Paris at the Turn of the 21st Century
1997  US Rushes
1998  Charlemagne
1998  Imaginary Friend
1999  Atterrissage
1999  Traces fantômes, le musée d'un rêve
2001  Anthology Film Archives
2002  Charlemagne 2: Piltzer
2002  Jonas Keeps Shooting Around
2003  A Visit to Stan Brakhage
2003  The Spells of Kenneth Anger
2004  Portrait of Maurice Lemaître
2006  Making of Dyn Amo
2007  Wrong Moves
2008  Butterfly Experiment
2010  Charlemagne 3 : Pastrami Recordings
2011  Free Radicals: A History of Experimental Film
2017  Patrick Bokanowski - Genesis of 'Un rêve solaire'
2017  Patrick Bokanowski : visite à l'atelier
2019  Jacques Perconte - Decompositions
2022  Rooftop Flicker
????  Stranger

Writer:
1989  Numéro 4
1990  The Photographer
1995  End Memory (Impromptu)
1996  Paris at the Turn of the 21st Century
1997  US Rushes
1998  Charlemagne
1998  Imaginary Friend
1999  Atterrissage
1999  Traces fantômes, le musée d'un rêve
2001  Anthology Film Archives
2002  Charlemagne 2: Piltzer
2002  Jonas Keeps Shooting Around
2003  A Visit to Stan Brakhage
2003  The Spells of Kenneth Anger
2004  Portrait of Maurice Lemaître
2006  Making of Dyn Amo
2007  Wrong Moves
2008  Butterfly Experiment
2010  Charlemagne 3 : Pastrami Recordings
2011  Free Radicals: A History of Experimental Film
2017  Patrick Bokanowski - Genesis of 'Un rêve solaire'
2017  Patrick Bokanowski : visite à l'atelier
2019  Jacques Perconte - Decompositions
2022  Rooftop Flicker
????  Stranger

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.