A work in constant progress (and occasional regress).
Birthplace:
Chicago, Illinois, U.S.
Born:
March 13, 1909
Died:
February 5, 1999
Herbert Kline (March 13, 1909 – 1999) was an American filmmaker known for his powerful documentary work and political activism. Born in Chicago and raised in Davenport, Iowa, Kline was involved in Leftist organizations and contributed to theater and film as an editor, playwright, and director. His early career included editing a theater magazine and staging Clifford Odets' plays. His documentaries covered major historical events, including the Spanish Civil War, Nazi invasions, the Holocaust, and the Mexican Revolution, as well as social topics like modern art and sports. Despite being blacklisted during the 1950s for his political views, Kline returned to filmmaking in the 1970s. He was married twice, first to Rose Margaret Harvan and later to Josine Ianco-Starrels, with whom he had two children. Kline also authored New Theater and Film, 1934–1937. His work was recognized by the Museum of Modern Art (MoMA), which restored and screened two of his World War II-era films.
Co-Director:
1937 With the Abraham Lincoln Brigade in Spain
Director:
1937 Heart of Spain
1937 Return to Life
1937 With the Abraham Lincoln Brigade in Spain
1939 Crisis
1940 Lights Out in Europe
1941 The Forgotten Village
1943 Cinco fueron escogidos
1946 A Boy, a Girl and a Dog
1947 My Father's House
1949 The Kid from Cleveland
1952 The Fighter
1971 Walls of Fire
1974 The Challenge... A Tribute to Modern Art
Editor:
1937 Heart of Spain
1937 Return to Life
1937 With the Abraham Lincoln Brigade in Spain
1939 Crisis
1940 Lights Out in Europe
1941 The Forgotten Village
1943 Cinco fueron escogidos
1946 A Boy, a Girl and a Dog
1947 My Father's House
1949 The Kid from Cleveland
1952 The Fighter
1971 Walls of Fire
1974 The Challenge... A Tribute to Modern Art
Producer:
1937 Heart of Spain
1937 Return to Life
1937 With the Abraham Lincoln Brigade in Spain
1939 Crisis
1940 Lights Out in Europe
1941 The Forgotten Village
1943 Cinco fueron escogidos
1946 A Boy, a Girl and a Dog
1947 My Father's House
1949 The Kid from Cleveland
1952 The Fighter
1971 Walls of Fire
1974 The Challenge... A Tribute to Modern Art
???? Pueblito de Santiago
Screenplay:
1937 Heart of Spain
1937 Return to Life
1937 With the Abraham Lincoln Brigade in Spain
1939 Crisis
1940 Lights Out in Europe
1941 The Forgotten Village
1943 Cinco fueron escogidos
1946 A Boy, a Girl and a Dog
1947 My Father's House
1949 The Kid from Cleveland
1952 The Fighter
1971 Walls of Fire
1974 The Challenge... A Tribute to Modern Art
???? Pueblito de Santiago
Story:
1937 Heart of Spain
1937 Return to Life
1937 With the Abraham Lincoln Brigade in Spain
1938 Love Is a Headache
1939 Crisis
1940 Lights Out in Europe
1941 The Forgotten Village
1943 Cinco fueron escogidos
1944 Youth Runs Wild
1946 A Boy, a Girl and a Dog
1947 My Father's House
1949 The Kid from Cleveland
1952 The Fighter
1953 Prince of Pirates
1971 Walls of Fire
1974 The Challenge... A Tribute to Modern Art
???? Pueblito de Santiago
Writer:
1937 Heart of Spain
1937 Return to Life
1937 With the Abraham Lincoln Brigade in Spain
1938 Love Is a Headache
1939 Crisis
1940 Lights Out in Europe
1941 The Forgotten Village
1943 Cinco fueron escogidos
1944 Youth Runs Wild
1946 A Boy, a Girl and a Dog
1947 My Father's House
1949 The Kid from Cleveland
1952 The Fighter
1953 Prince of Pirates
1971 Walls of Fire
1974 The Challenge... A Tribute to Modern Art
???? Pueblito de Santiago
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.