A work in constant progress (and occasional regress).
Birthplace:
Shrewsbury, Shropshire, England, UK
Born:
November 2, 1974
Laurie "Lol" Crawley (born in Shrewsbury, Shropshire) is an English cinematographer. His works include Ballast, Four Lions, The Crimson Petal and the White, and The Brutalist. In 2013, Crawley shot Mandela: Long Walk to Freedom, which was shown at the Toronto International Film Festival. It has attracted critical attention for its cinematography. Crawley has been inducted into the British Society of Cinematographers. He has been awarded two cinematography awards at film festivals. Also, he has been nominated for a 2014 Film Independent Spirit Award. In 2016, The Playlist profiled Crawley in their Filmmakers on the Rise, stating that "British "P Lol Crawley isn't quite a brand new name — he's been doing some remarkably impressive work in features for nearly a decade now. But of late, he's gone from an extraordinarily impressive cinematographer to staking his claim of being one of the best in the world." Description above from the Wikipedia article Lol Crowley, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Cinematography:
2001 Field
2003 Love Me or Leave Me Alone
2005 Cherry
2007 Lady Margaret
2008 Better Things
2009 Jade
2022 White Noise
Director of Photography:
2001 Field
2003 Love Me or Leave Me Alone
2003 The Name Makers
2005 Cherry
2005 Love Letter
2005 Run
2007 Lady Margaret
2008 Ballast
2008 Better Things
2009 Jade
2010 Baby
2010 Donkeys
2010 Four Lions
2010 One Night in Turin
2011 Here
2011 On the Ice
2012 Hyde Park on Hudson
2013 Mandela: Long Walk to Freedom
2015 45 Years
2016 The Childhood of a Leader
2018 Vox Lux
2019 DAU. Cinema
2020 The Devil All the Time
2020 The Secret Garden
2021 Bob Dylan: Shadow Kingdom
2021 The Humans
2022 White Noise
2024 The Brutalist
???? DreamQuil
???? Wicker
Director of Photography:
2003 The Hothouse
2011 Black Mirror
2011 The Crimson Petal and the White
2013 Utopia
2016 The OA
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.