A work in constant progress (and occasional regress).
Birthplace:
USA
Rodney Ascher is a filmmaker whose feature debut, the ‘subjective documentary' ROOM 237 (IFC) looked at Stanley Kubrick’s The Shining through the eyes of five very different people, each obsessed with solving its countless mysteries. The film premiered at Sundance in 2012 before screening at festivals around the world including Cannes, London, the Vienalle, Sitges, Toronto, and New York. His follow-up, the ‘horror-documentary’ THE NIGHTMARE (Gravitas Ventures) explored the phenomenon of ‘sleep paralysis’ and it likewise debuted at Sundance where it was called The Scariest Movie of the decade” and “One of the scariest documentaries ever’ before being released internationally in theaters and digitally. His other projects include a PRIMAL SCREEN for the Shudder Network, a GIF-centric music video for the experimental, Hugo-nominated hip-hop band CLIPPING, Andy Kaufman’s posthumous (?) comedy album, ANDY AND HIS GRANDMOTHER (Drag City) and the infamous S FROM HELL.
Co-Producer:
2019 Swans: Where Does a Body End?
Director:
1997 Alfred
2001 Sonic Cinema: Sparklehorse
2006 Hot Chicks
2006 Somebody Goofed
2006 The Wheel of Torment
2008 Visions of Terror
2010 The S From Hell
2012 Room 237
2014 ABCs of Death 2
2014 Enter the Optigan
2015 The Nightmare
2017 Primal Screen
2018 Haunted, Horrifying Sounds from Beyond the Grave
2019 Swans: Where Does a Body End?
2019 The El Duce Tapes
2020 Doris Wishman Directs A Music Video
2021 A Glitch in the Matrix
Editor:
1997 Alfred
2001 Sonic Cinema: Sparklehorse
2006 Hot Chicks
2006 Somebody Goofed
2006 The Wheel of Torment
2008 Visions of Terror
2010 The S From Hell
2012 Room 237
2014 ABCs of Death 2
2014 Enter the Optigan
2015 Director's Commentary: Terror Of Frankenstein
2015 The Nightmare
2017 Primal Screen
2018 Haunted, Horrifying Sounds from Beyond the Grave
2019 Swans: Where Does a Body End?
2019 The El Duce Tapes
2020 Doris Wishman Directs A Music Video
2021 A Glitch in the Matrix
Executive Producer:
1997 Alfred
2001 Sonic Cinema: Sparklehorse
2006 Hot Chicks
2006 Somebody Goofed
2006 The Wheel of Torment
2008 Visions of Terror
2010 The S From Hell
2012 Room 237
2014 ABCs of Death 2
2014 Enter the Optigan
2015 Director's Commentary: Terror Of Frankenstein
2015 The Nightmare
2017 Primal Screen
2018 Haunted, Horrifying Sounds from Beyond the Grave
2018 Sex Madness Revealed
2019 Swans: Where Does a Body End?
2019 The El Duce Tapes
2020 Doris Wishman Directs A Music Video
2021 A Glitch in the Matrix
2024 Delicate Arch
???? Fourth Wall
Graphic Designer:
1997 Alfred
2001 Sonic Cinema: Sparklehorse
2006 Hot Chicks
2006 Somebody Goofed
2006 The Wheel of Torment
2008 Visions of Terror
2010 The S From Hell
2011 The Universal Language
2012 Room 237
2014 ABCs of Death 2
2014 Enter the Optigan
2015 Director's Commentary: Terror Of Frankenstein
2015 The Nightmare
2017 Primal Screen
2018 Haunted, Horrifying Sounds from Beyond the Grave
2018 Sex Madness Revealed
2019 Swans: Where Does a Body End?
2019 The El Duce Tapes
2020 Doris Wishman Directs A Music Video
2021 A Glitch in the Matrix
2024 Delicate Arch
???? Fourth Wall
Producer:
1997 Alfred
2001 Sonic Cinema: Sparklehorse
2006 Hot Chicks
2006 Somebody Goofed
2006 The Wheel of Torment
2008 Visions of Terror
2010 The S From Hell
2011 The Universal Language
2012 Room 237
2014 ABCs of Death 2
2014 Enter the Optigan
2015 Director's Commentary: Terror Of Frankenstein
2015 The Nightmare
2017 Primal Screen
2018 Haunted, Horrifying Sounds from Beyond the Grave
2018 Sex Madness Revealed
2019 Swans: Where Does a Body End?
2019 The El Duce Tapes
2020 Doris Wishman Directs A Music Video
2021 A Glitch in the Matrix
2024 Delicate Arch
???? Fourth Wall
Screenplay:
1997 Alfred
2001 Sonic Cinema: Sparklehorse
2006 Hot Chicks
2006 Somebody Goofed
2006 The Wheel of Torment
2008 Visions of Terror
2010 The S From Hell
2011 The Universal Language
2012 Room 237
2014 ABCs of Death 2
2014 Enter the Optigan
2015 Director's Commentary: Terror Of Frankenstein
2015 The Nightmare
2017 Primal Screen
2018 Haunted, Horrifying Sounds from Beyond the Grave
2018 Sex Madness Revealed
2019 Swans: Where Does a Body End?
2019 The El Duce Tapes
2020 Doris Wishman Directs A Music Video
2021 A Glitch in the Matrix
2024 Delicate Arch
???? Fourth Wall
Story Editor:
1997 Alfred
2001 Sonic Cinema: Sparklehorse
2006 Hot Chicks
2006 Somebody Goofed
2006 The Wheel of Torment
2008 Visions of Terror
2010 The S From Hell
2011 The Universal Language
2012 Room 237
2014 ABCs of Death 2
2014 Enter the Optigan
2015 Director's Commentary: Terror Of Frankenstein
2015 The Nightmare
2017 Primal Screen
2018 Haunted, Horrifying Sounds from Beyond the Grave
2018 Sex Madness Revealed
2019 Swans: Where Does a Body End?
2019 The El Duce Tapes
2020 Doris Wishman Directs A Music Video
2021 A Glitch in the Matrix
2024 Delicate Arch
???? Fourth Wall
Writer:
1997 Alfred
2001 Sonic Cinema: Sparklehorse
2006 Hot Chicks
2006 Somebody Goofed
2006 The Wheel of Torment
2008 Visions of Terror
2010 The S From Hell
2011 The Universal Language
2012 Room 237
2014 ABCs of Death 2
2014 Enter the Optigan
2015 Director's Commentary: Terror Of Frankenstein
2015 The Nightmare
2017 Primal Screen
2018 Haunted, Horrifying Sounds from Beyond the Grave
2018 Sex Madness Revealed
2019 Swans: Where Does a Body End?
2019 The El Duce Tapes
2020 Doris Wishman Directs A Music Video
2021 A Glitch in the Matrix
2024 Delicate Arch
???? Fourth Wall
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.