Aurélien Vernhes-Lermusiaux (b. 1980)

Birthplace:
Figeac, Lot, France

Born:
February 6, 1980

Aurélien Vernhes-Lermusiaux was born in Figeac. Having grown up near Les Causses – a desertic environment South of France - he developed very early an interest for abandoned spaces and ghosts inhabiting such places. He produces films, documentaries and interactive installations that question the links between the concept of "trace" and the questions of "memory". After a diploma in audiovisual (BTS) and majoring in cinema and philosophy at university, he finished his studies at the Fresnoy, national studio of contemporary arts. He has worked with directors such as André Téchiné, Sharunas Bartas and worked on the films of Jacques Audiard, Youssef Chahine, Elia Suleiman ... His films have been selected for national and international festivals and have been rewarded many times. His work has also been screened and exhibited in various museums and arts centers. 

Additional information:

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Assistant Director:
2003  Strayed
2010  Eastern Drift

Director:
2003  Strayed
2007  The Stranger
2009  The Passenger
2010  Eastern Drift
2010  The Survivor
2011  The Day When Raïner's Son Drowned
2012  The Crash of the Legs of the Spider
2014  Dzisiaj
2014  Fish
2014  Hashima My Love
2015  Les Photographes
2018  The Lives of Lenny Wilson
2019  Towards the Battle
2022  Lino
????  Culebra Negra

Director of Photography:
2003  Strayed
2007  The Stranger
2009  The Passenger
2010  Eastern Drift
2010  The Survivor
2011  The Day When Raïner's Son Drowned
2012  The Crash of the Legs of the Spider
2014  Dzisiaj
2014  Fish
2014  Hashima My Love
2015  Les Photographes
2018  The Lives of Lenny Wilson
2019  Towards the Battle
2022  Lino
????  Culebra Negra

Visual Effects:
2001  Read My Lips
2001  Silence... We're Rolling
2001  Tosca
2002  Divine Intervention
2003  Strayed
2007  The Stranger
2009  The Passenger
2010  Eastern Drift
2010  The Survivor
2011  The Day When Raïner's Son Drowned
2012  The Crash of the Legs of the Spider
2014  Dzisiaj
2014  Fish
2014  Hashima My Love
2015  Les Photographes
2018  The Lives of Lenny Wilson
2019  Towards the Battle
2022  Lino
????  Culebra Negra

Writer:
2001  Read My Lips
2001  Silence... We're Rolling
2001  Tosca
2002  Divine Intervention
2003  Strayed
2007  The Stranger
2009  The Passenger
2010  Eastern Drift
2010  The Survivor
2011  The Day When Raïner's Son Drowned
2012  The Crash of the Legs of the Spider
2014  Dzisiaj
2014  Fish
2014  Hashima My Love
2015  Les Photographes
2018  The Lives of Lenny Wilson
2019  Towards the Battle
2022  Lino
????  Culebra Negra

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.