A work in constant progress (and occasional regress).
Alias:
Liz Parker
Elizabeth Parker (also credited as Liz Parker) is a composer and sound engineer who provided special sounds for the Doctor Who television story The Stones of Blood and the incidental music for the Doctor Who story Timelash. She was the only woman ever credited with providing special sounds for Doctor Who. As a member of the BBC Radiophonic Workshop, Parker also served as the composer and music advisor for Blue Veils and Golden Sands, a story which sought to honour Delia Derbyshire. She also provided the special sounds for most of the run of Blake's 7, along with scoring one episode of that show.
Music:
1985 Earthstars
1998 Amazing Earth
2001 Real Life: Prime Suspect
2002 What Killed the Mega Beasts?
2003 Smart Sharks: Swimming With Roboshark
2004 Megastructures: Petronas Towers
Original Music Composer:
1982 The Deadly Game
1985 Doctor Who: Timelash
1985 Earthstars
1986 LSD: The Beyond Within
1998 Amazing Earth
2001 Real Life: Prime Suspect
2002 What Killed the Mega Beasts?
2003 Smart Sharks: Swimming With Roboshark
2004 Megastructures: Petronas Towers
Special Sound Effects:
1978 Doctor Who: The Stones of Blood
1982 The Deadly Game
1985 Doctor Who: Timelash
1985 Earthstars
1986 LSD: The Beyond Within
1998 Amazing Earth
2001 Real Life: Prime Suspect
2002 What Killed the Mega Beasts?
2003 Smart Sharks: Swimming With Roboshark
2004 Megastructures: Petronas Towers
Music:
2002 Weird Nature
2004 Dragons Alive
Original Music Composer:
1978 Blake's 7
1996 The Poisoned Chalice
2002 Sahara with Michael Palin
2002 Weird Nature
2003 No 57: The History of a House
2004 Dragons Alive
Special Sound Effects:
1978 Blake's 7
1981 The Day of the Triffids
1996 The Poisoned Chalice
2002 Sahara with Michael Palin
2002 Weird Nature
2003 No 57: The History of a House
2004 Dragons Alive
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.