Joaquim Dos Santos (b. 1977)

Birthplace:
Lisbon, Portugal

Born:
June 22, 1977

Joaquim Dos Santos is a Portuguese-American television director of animated cartoons, best known for his directing work on Justice League Unlimited, Avatar: The Last Airbender and The Legend of Korra. He was a storyboard artist for Justice League before being promoted in the show's renamed third season. He went on to direct half of the episodes of JLU alongside fellow DCAU director Dan Riba, including the final episode "Destroyer". He joined the staff of Avatar: The Last Airbender in the middle of the show's second season as a storyboard artist, and began directing episodes in the third season, including the last two parts of the four-part season finale.  He also directed the mini-series G.I. Joe: Resolute. After that project, he moved back to Warner Bros. Animation, where he directed two DC Showcase short films: The Spectre (accompanying the Justice League: Crisis on Two Earths direct-to-video movie) and Jonah Hex (on Batman: Under the Red Hood). He is now working as an executive producer and co-showrunner on the animated series Voltron: Legendary Defender with Lauren Montgomery.  Some fans have nicknamed him "Dr. Fight" because of his skill at choreographing fight sequences and action set pieces.

Additional information:

The Search Form


Character Designer:
2010  DC Showcase: Green Arrow
2010  DC Showcase: Jonah Hex
2010  DC Showcase: The Spectre
2010  Superman/Shazam!: The Return of Black Adam

Director:
2009  G.I. Joe: Resolute
2010  DC Showcase Original Shorts Collection
2010  DC Showcase: Green Arrow
2010  DC Showcase: Jonah Hex
2010  DC Showcase: The Spectre
2010  Superman/Shazam!: The Return of Black Adam
2023  Spider-Man: Across the Spider-Verse
????  Spider-Man: Beyond the Spider-Verse

Producer:
2009  G.I. Joe: Resolute
2010  DC Showcase Original Shorts Collection
2010  DC Showcase: Green Arrow
2010  DC Showcase: Jonah Hex
2010  DC Showcase: The Spectre
2010  Superman/Shazam!: The Return of Black Adam
2023  Spider-Man: Across the Spider-Verse
????  Spider-Man: Beyond the Spider-Verse

Rotoscoping Artist:
2009  G.I. Joe: Resolute
2010  DC Showcase Original Shorts Collection
2010  DC Showcase: Green Arrow
2010  DC Showcase: Jonah Hex
2010  DC Showcase: The Spectre
2010  Superman/Shazam!: The Return of Black Adam
2013  Gravity
2023  Spider-Man: Across the Spider-Verse
????  Spider-Man: Beyond the Spider-Verse

Storyboard Artist:
2009  G.I. Joe: Resolute
2010  DC Showcase Original Shorts Collection
2010  DC Showcase: Green Arrow
2010  DC Showcase: Jonah Hex
2010  DC Showcase: The Spectre
2010  Superman/Shazam!: The Return of Black Adam
2012  Tron: Uprising - Beck's Beginning
2013  Gravity
2023  Spider-Man: Across the Spider-Verse
????  Spider-Man: Beyond the Spider-Verse

Storyboard Designer:
2009  G.I. Joe: Resolute
2010  DC Showcase Original Shorts Collection
2010  DC Showcase: Green Arrow
2010  DC Showcase: Jonah Hex
2010  DC Showcase: The Spectre
2010  Superman/Shazam!: The Return of Black Adam
2012  Tron: Uprising - Beck's Beginning
2013  Gravity
2023  Spider-Man: Across the Spider-Verse
????  Spider-Man: Beyond the Spider-Verse

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.