Maria Aitken (b. 1945)

Birthplace:
Dublin, Ireland

Born:
September 12, 1945

Aitken was born in Dublin, Ireland, the daughter of Sir William Aitken, a Conservative MP, and Penelope Aitken, whose father was John Maffey, 1st Baron Rugby. Her grandfather was the UK Representative to Ireland (1939–49). She is a great-niece of newspaper magnate and war-time minister Lord Beaverbrook, and sister to former Conservative cabinet minister Jonathan Aitken. She attended Riddlesworth Hall Preparatory School in Norfolk, Sherborne School for Girls in Dorset and St Anne's College, Oxford, where she graduated with a degree in English Language and Literature.  She has directed several plays in the West End and on Broadway. Her production of The 39 Steps, which ran in London for nine years, also played three years on Broadway and won Olivier and Tony Awards. In 2011, she directed Frank Langella in Man and Boy on Broadway. She is a Visiting Lecturer at Yale, NYU and Juilliard drama schools. Her extensive acting career includes leading roles at the Royal National Theatre, the Royal Shakespeare Company and in the West End. She has played more Noël Coward leads than any other actress. Her film career includes appearances in Doctor Faustus (1967), Mary, Queen of Scots (1971), Half Moon Street (1986), A Fish Called Wanda (1988) (for which she was nominated for a BAFTA award), The Fool (1990), The Grotesque (1995), Fierce Creatures (1997), Jinnah (1998) and Asylum (2005).  She is the author of A Girdle Round the Earth, a story of some of the more remarkable women travellers of the last 200 years, and Style: Acting in High Comedy, published in 1996, which contends that "High comedies are not bloodless, refined, wordy plays — their themes are sex, money and social advancement. They contain a splendid contradiction: wit and elegance at the service of man's basest drives."  From Wikipedia

Additional information:

The Search Form


Associate Producer:
2002  Spider

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.