A work in constant progress (and occasional regress).
Birthplace:
Los Angeles, California, USA
Born:
April 3, 1991
Hayley Kiyoko Alcroft (born April 3, 1991) is an American singer-songwriter, actress, and author. As a child model and actress, she appeared in a variety of films, including Lemonade Mouth (2011), Jem and the Holograms (2015), Insidious: Chapter 3 (2015), and XOXO (2016). Alongside her film roles, she also had recurring roles in the TV series Wizards of Waverly Place (2010) and The Fosters (2014), as well as lead roles on CSI: Cyber (2015–2016) and Five Points (2018–2019). Kiyoko issued three solo extended plays: A Belle to Remember (2013), This Side of Paradise(2015), which includes the single "Girls Like Girls", and Citrine (2016). Following the singles "Sleepover", "Feelings", and "Curious", she released her debut studio album, Expectations (2018), which reached the top 20 of the charts in the United States, Canada, and Australia. She has since released a fourth extended play, I'm Too Sensitive for This Shit (2020) and her second studio album Panorama (2022). In 2023, Kiyoko released her debut novel, Girls Like Girls, published by Wednesday Books. The book debuted at number one on the New York Times Best Sellers list for Young Adult Hardcover and won the Goldie Award for Young Adult Fiction by the Golden Crown Literary Society. She has also created a comic book, with the help of Naomi Franquiz and Marla Vazquez, based on her song "Gravel to Tempo". Description above from the Wikipedia article Hayley Kiyoko, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director:
2016 Hayley Kiyoko: Gravel To Tempo
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Writer:
2016 Hayley Kiyoko: Gravel To Tempo
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Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.