A work in constant progress (and occasional regress).
Birthplace:
Linesville, Pennsylvania, USA
Born:
January 1, 1860
Died:
May 1, 1939
Frank E. Woods (1860 – May 1, 1939) was an American screenwriter of the silent era. He wrote for 90 films between 1908 till 1925. He first became a writer with the Biograph Company. Woods was also a pioneering film reviewer. As a writer, his contributions to film criticism are discussed in the 2009 documentary, For the Love of Movies: The Story of American Film Criticism. Woods worked for the Kinemacolor Company of America, directing at their Hollywood studios and writing the script for the unreleased The Clansman (1911). He was also known for his screenplay collaborations with D. W. Griffith, including the co-scripting of The Birth of a Nation. He later publicly expressed regret for his involvement with the film. He is interred in the Hollywood Forever Cemetery in Hollywood, CA. Woods was one of the 36 founders of the Academy of Motion Picture Arts and Sciences. From Wikipedia.
Adaptation:
1925 Let Women Alone
Director:
1913 Dr. Jekyll and Mr. Hyde
1925 Let Women Alone
Production Supervisor:
1913 Dr. Jekyll and Mr. Hyde
1916 Intolerance: Love's Struggle Throughout the Ages
1925 Let Women Alone
Scenario Writer:
1913 Dr. Jekyll and Mr. Hyde
1914 Man's Enemy
1914 Men and Women
1914 The Mountain Rat
1915 Man's Prerogative
1916 Intolerance: Love's Struggle Throughout the Ages
1917 A Woman's Awakening
1925 Let Women Alone
Screenplay:
1913 Dr. Jekyll and Mr. Hyde
1914 Man's Enemy
1914 Men and Women
1914 The Mountain Rat
1915 Man's Prerogative
1915 The Birth of a Nation
1916 Intolerance: Love's Struggle Throughout the Ages
1917 A Woman's Awakening
1917 The Bad Boy
1925 Let Women Alone
Story:
1913 Dr. Jekyll and Mr. Hyde
1913 In Diplomatic Circles
1913 The Mirror
1913 The Stopped Clock
1914 Man's Enemy
1914 Men and Women
1914 The Mountain Rat
1915 Man's Prerogative
1915 The Birth of a Nation
1916 Intolerance: Love's Struggle Throughout the Ages
1917 A Woman's Awakening
1917 An Old Fashioned Young Man
1917 Betsy's Burglar
1917 The Bad Boy
1925 Let Women Alone
???? The Red Man's View
Writer:
1908 A Smoked Husband
1908 After Many Years
1908 The Song of the Shirt
1909 1776, or The Hessian Renegades
1909 A Corner in Wheat
1909 In Little Italy
1909 In the Window Recess
1909 Mr. Jones Has a Card Party
1909 Nursing a Viper
1909 Resurrection
1909 The Cricket on the Hearth
1909 The Death Disc: A Story of the Cromwellian Period
1909 The Mountaineer's Honor
1909 The Necklace
1909 The Sealed Room
1909 The Suicide Club
1909 The Violin Maker of Cremona
1910 A Gold Necklace
1910 Muggsy's First Sweetheart
1910 Simple Charity
1910 The Honor of His Family
1910 The Usurer
1910 White Roses
1910 Wilful Peggy
1912 Home Folks
1912 Man's Genesis
1912 Mr. Grouch at the Seashore
1913 Dr. Jekyll and Mr. Hyde
1913 In Diplomatic Circles
1913 The Left-Handed Man
1913 The Mirror
1913 The Reformers
1913 The Stopped Clock
1914 Brute Force
1914 Judith of Bethulia
1914 Man's Enemy
1914 Men and Women
1914 Strongheart
1914 The Life of General Villa
1914 The Mountain Rat
1915 Man's Prerogative
1915 The Birth of a Nation
1916 Intolerance: Love's Struggle Throughout the Ages
1916 The Children Pay
1917 A Woman's Awakening
1917 An Old Fashioned Young Man
1917 Betsy's Burglar
1917 The Bad Boy
1922 The Old Homestead
1923 Richard the Lion-Hearted
1924 Chalk Marks
1925 Let Women Alone
???? The Red Man's View
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.