Enzo Sisti (b. 1945)

Gallery Unavailable

Birthplace:
Rome, Italy

Born:
August 3, 1945

Additional information:

The Search Form


Accountant:
1985  Ladyhawke

Administration:
1982  I Know That You Know That I Know
1985  Ladyhawke

Co-Producer:
1982  I Know That You Know That I Know
1985  Ladyhawke
2004  The Life Aquatic with Steve Zissou

Executive Producer:
1982  I Know That You Know That I Know
1985  Ladyhawke
2004  The Life Aquatic with Steve Zissou
2004  The Passion of the Christ
2010  The American
2013  The Best Offer
2023  Book Club: The Next Chapter
2023  The Equalizer 3

Line Producer:
1982  I Know That You Know That I Know
1985  Ladyhawke
2004  The Life Aquatic with Steve Zissou
2004  The Passion of the Christ
2006  Mission: Impossible III
2010  The American
2013  The Best Offer
2015  The Man from U.N.C.L.E.
2017  Wonder Woman
2018  The 15:17 to Paris
2021  No Time to Die
2023  Book Club: The Next Chapter
2023  The Equalizer 3

Producer:
1982  I Know That You Know That I Know
1985  Ladyhawke
2004  The Life Aquatic with Steve Zissou
2004  The Passion of the Christ
2006  Mission: Impossible III
2010  The American
2013  The Best Offer
2015  The Man from U.N.C.L.E.
2016  Jesus VR
2017  Wonder Woman
2018  The 15:17 to Paris
2021  No Time to Die
2023  Book Club: The Next Chapter
2023  The Equalizer 3

Production Accountant:
1982  I Know That You Know That I Know
1985  Ladyhawke
1988  Cellar Dweller
1993  Cliffhanger
2004  The Life Aquatic with Steve Zissou
2004  The Passion of the Christ
2006  Mission: Impossible III
2010  The American
2013  The Best Offer
2015  The Man from U.N.C.L.E.
2016  Jesus VR
2017  Wonder Woman
2018  The 15:17 to Paris
2021  No Time to Die
2023  Book Club: The Next Chapter
2023  The Equalizer 3

Accountant:
1978  The Word

Consulting Producer:
1978  The Word
2024  Those About to Die

Line Producer:
1978  The Word
2019  Catch-22
2024  Disclaimer
2024  Those About to Die

Producer:
1978  The Word
2018  Trust
2019  Catch-22
2024  Disclaimer
2024  RIPLEY
2024  Those About to Die

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.