Sebastián Cordero (b. 1972)

Birthplace:
Quito, Ecuador

Born:
May 23, 1972

From Wikipedia, the free encyclopedia.  Sebastián Cordero (born May 23, 1972 in Quito, Ecuador) is a film director, writer and editor, often recognized for his work in Ratas, Ratones, Rateros, his debut film which portrays the life in a poverty-stricken Ecuador. His films have been exhibited in festivals such as the Sundance Film Festival and Cannes Film Festival among others.  He first became interested in filmmaking when he saw Raiders of the Lost Ark at the age of 9. At the age of 18 he began his studies in film and script making in the University of Southern California. After his graduation he moved back to Ecuador with the idea of filmmaking in a country where there is practically no movie industry.  His first movie, Ratas, Ratones, Rateros (1999), led to his first appearance at Venice Film Festival, appearing later in film festivals such as Toronto, San Sebastián and Buenos Aires, and been recognized with awards and honors at Huelva and La Habana film festivals.  His second film, Crónicas, was recognized with the Sundance/NHK International Filmmakers Award, and first appeared at Cannes in the Un Certain Regard section in 2004, and was nominated to the Grand Jury Prize at Sundance Film Festival. He was attached to direct the motion picture Manhunt that tells the story of what occurred in the lapse of the 48 hours that followed the assassination of Abraham Lincoln and was to star Harrison Ford. The project was later cancelled.  His third film, Rabia is based on a novel from the writer Sergio Bizzio. Now his fourth movie, Pescador is in post-production.  Description above from the Wikipedia article Sebastián Cordero, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Additional information:

The Search Form


Additional Camera:
2007  Alfaro Vive Carajo: Del sueño al caos

Associate Producer:
2007  Alfaro Vive Carajo: Del sueño al caos
2008  Mete gol, gana

Director:
1999  Rodents
2004  Crónicas
2007  Alfaro Vive Carajo: Del sueño al caos
2008  Mete gol, gana
2009  Rage
2011  Pescador
2013  Europa Report
2014  Short Plays
2016  Such Is Life in the Tropics
2023  Behind the Mist

Editor:
1999  Rodents
2004  Crónicas
2007  Alfaro Vive Carajo: Del sueño al caos
2008  Mete gol, gana
2009  Rage
2011  Pescador
2013  Europa Report
2014  Short Plays
2016  Such Is Life in the Tropics
2023  Behind the Mist

Executive Producer:
1999  Rodents
2004  Crónicas
2007  Alfaro Vive Carajo: Del sueño al caos
2008  Mete gol, gana
2009  Rage
2011  Pescador
2013  Europa Report
2014  Short Plays
2016  Such Is Life in the Tropics
2023  Behind the Mist
2024  The Shape of Things to Come

Producer:
1999  Rodents
2004  Crónicas
2007  Alfaro Vive Carajo: Del sueño al caos
2008  Mete gol, gana
2009  Rage
2011  Pescador
2013  Europa Report
2014  Short Plays
2016  Such Is Life in the Tropics
2020  Submersible
2023  Behind the Mist
2024  The Shape of Things to Come

Screenplay:
1999  Rodents
2004  Crónicas
2007  Alfaro Vive Carajo: Del sueño al caos
2008  Mete gol, gana
2009  Rage
2011  Pescador
2013  Europa Report
2014  Short Plays
2016  Such Is Life in the Tropics
2020  Submersible
2023  Behind the Mist
2024  The Shape of Things to Come

Writer:
1999  Rodents
2004  Crónicas
2007  Alfaro Vive Carajo: Del sueño al caos
2008  Mete gol, gana
2009  Rage
2011  Pescador
2013  Europa Report
2014  Short Plays
2016  Such Is Life in the Tropics
2020  Submersible
2023  Behind the Mist
2024  The Shape of Things to Come

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.