Kazue Nagatsuka

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Alias:
永塚一栄

Additional information:

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Cinematography:
1936  Passionate Poet Ishikawa Takuboku - Hometown
1937  Sôbô
1951  The Well-known Magistrate
1956  Seishun wo warera ni
1959  Wounded Beast
1960  Umi no jōji ni kakero
1961  I'll End in Hell
1961  The Crimson Plains
1961  Tokyo Knights
1965  Woman Gambler
1966  Chivalry Broken from All Sides
1966  Tokyo Drifter 2: The Sea Is Bright Red as the Color of Love

Director of Photography:
1936  Passionate Poet Ishikawa Takuboku - Hometown
1937  Sôbô
1950  The Rainbow-Colored Flower
1951  The Well-known Magistrate
1951  風雲児
1953  北上川の詩
1955  Duel at Sundown
1956  Pure Emotions of the Sea
1956  Saigo no sentō-ki
1956  Satan's Town
1956  Seishun wo warera ni
1956  Song of the Underworld
1957  Eight Hours of Terror
1958  Voice Without a Shadow
1958  Young Breasts
1959  Passport to Darkness
1959  The Human Cyclone
1959  Wounded Beast
1960  Fighting Delinquents
1960  Ore wa Ginza no kiheitai
1960  Ryuji, the Gun Slinger
1960  The Gun Like Lightning
1960  Umi no jōji ni kakero
1961  I'll End in Hell
1961  Living by Karate
1961  The Crimson Plains
1961  Tokyo Knights
1963  The Gambling Monk
1963  Youth of the Beast
1964  The Flower and the Angry Waves
1965  Born Under Crossed Stars
1965  Murder Unincorporated
1965  Story of a Prostitute
1965  Woman Gambler
1966  Black Tight Killers
1966  Chivalry Broken from All Sides
1966  The Scarred Angel
1966  Tokyo Drifter 2: The Sea Is Bright Red as the Color of Love
1967  Branded to Kill
1967  Massacre Gun
1980  Zigeunerweisen
1981  Kagero-za

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.