A work in constant progress (and occasional regress).
Alias:
Al Werker
Albert Werker
Alfred Louis Werker
Alfred Werker
Birthplace:
Deadwood, South Dakota, USA
Born:
December 2, 1896
Died:
July 28, 1975
From Wikipedia, the free encyclopedia Alfred L. Werker (December 2, 1896 – July 28, 1975) was a film director whose work in movies spanned from 1917 through 1957. After a number of film production jobs and assistant directing, Werker co-directed his first film, Ridin' the Wind in 1925 alongside director Del Andrews. He was brought in by Fox Film Corporation executives to re-shoot and re-edit Erich von Stroheim's film Hello, Sister! (1933), co-starring Boots Mallory and ZaSu Pitts. Most of Werker's work is unremarkable, but a few were well received by critics. Those films included House of Rothschild (1934) and The Adventures of Sherlock Holmes (1939); the latter film is considered one of the best in the Sherlock Holmes series. During the early 1940s, he directed a number of comedies including Laurel & Hardy's A-Haunting We Will Go (1942). In the late 1940s, Werker worked for the B-picture film studio Eagle-Lion Films. Notable films from that period include the unique mystery thriller Repeat Performance and He Walked by Night. The latter film, however, was taken over by uncredited director Anthony Mann. Werker was nominated in 1949 for the Locarno International Film Festival's Best Police Film category for He Walked By Night (1948) and won. The following year, Alfred was nominated for the Directors Guild of America Outstanding Directorial Achievement in Motion Pictures for Lost Boundaries (1949) but was unsuccessful. Description above from the Wikipedia article Alfred L. Werker, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Assistant Director:
1919 The Hoodlum
1920 Pollyanna
1921 The Love Light
1921 Through The Back Door
1923 The Love Nest
1926 The Tough Guy
Director:
1919 The Hoodlum
1920 Pollyanna
1921 The Love Light
1921 Through The Back Door
1923 The Love Nest
1926 The Tough Guy
1928 The Sunset Legion
1929 Blue Skies
1930 Double Cross Roads
1930 The Last of the Duanes
1931 Annabelle's Affairs
1931 Fair Warning
1931 Heartbreak
1932 Bachelor's Affairs
1932 Rackety Rax
1932 The Gay Caballero
1933 Advice to the Lovelorn
1933 Hello, Sister!
1933 It's Great to Be Alive
1934 The House of Rothschild
1934 You Belong to Me
1935 Stolen Harmony
1936 Love in Exile
1937 Big Town Girl
1937 We Have Our Moments
1937 Wild and Woolly
1938 City Girl
1938 Gateway
1938 Kidnapped
1938 Up the River
1939 It Could Happen to You
1939 News Is Made at Night
1939 The Adventures of Sherlock Holmes
1941 Moon Over Her Shoulder
1941 The Reluctant Dragon
1942 A-Haunting We Will Go
1942 The Mad Martindales
1942 Whispering Ghosts
1944 My Pal, Wolf
1946 Shock
1947 Pirates of Monterey
1947 Repeat Performance
1949 He Walked by Night
1949 Lost Boundaries
1951 Sealed Cargo
1952 Walk East on Beacon
1953 Devil's Canyon
1953 The Last Posse
1954 Three Hours to Kill
1955 At Gunpoint
1955 Canyon Crossroads
1956 Rebel in Town
1957 The Young Don't Cry
2004 Walt Disney's Fables - Vol.6
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.