Juan Gordon

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Assistant Director:
2016  Amazonas

Associate Producer:
2004  Looking For Fidel
2016  Amazonas

Co-Producer:
2004  Looking For Fidel
2016  Amazonas
2017  Submergence
2018  The Legend of the Christmas Witch

Executive Producer:
2004  Looking For Fidel
2016  Amazonas
2017  Submergence
2018  The Legend of the Christmas Witch
????  Fall Into Darkness

Producer:
1998  Twice Upon a Yesterday
2001  Fish People
2004  Looking For Fidel
2005  Neon Flesh
2006  Cargo
2008  The Appeared
2009  Cell 211
2010  Neon Flesh
2011  Even the Rain
2012  White Elephant
2014  In Darkness We Fall
2015  Sidetracked
2016  Amazonas
2016  The Olive Tree
2016  To Steal from a Thief
2017  Submergence
2018  The Legend of the Christmas Witch
2019  Advantages of Travelling by Train
2019  Out in the Open
2019  The Innocence
2020  Formentor: el mar de las palabras
2022  Honeymoon with My Mother
2024  Cuerpo escombro
????  Fall Into Darkness

Production Director:
1998  Twice Upon a Yesterday
2001  Fish People
2004  Looking For Fidel
2005  Neon Flesh
2006  Cargo
2008  The Appeared
2009  Cell 211
2010  Neon Flesh
2011  Even the Rain
2012  White Elephant
2014  In Darkness We Fall
2015  Sidetracked
2016  Amazonas
2016  The Olive Tree
2016  To Steal from a Thief
2017  Submergence
2018  The Legend of the Christmas Witch
2019  Advantages of Travelling by Train
2019  Out in the Open
2019  The Innocence
2020  Formentor: el mar de las palabras
2022  Honeymoon with My Mother
2022  The Three Wise Men vs Santa
2024  Cuerpo escombro
????  Fall Into Darkness

Executive Producer:
2018  Diablero
2024  LALIGA: All Access

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.