A work in constant progress (and occasional regress).
Alias:
Virginia Belle Pearson
Birthplace:
Anchorage, Kentucky, USA
Born:
March 7, 1886
Died:
June 6, 1958
From Wikipedia Virginia Belle Pearson (March 7, 1886 - June 6, 1958) was an American stage and film actress. She made fifty-one films in a career which extended from 1910 until 1932. Born in Anchorage, Kentucky, Pearson worked for a brief time as an assistant in the public library in Louisville, Kentucky after completing school. Pearson trained in the tradition of the stars of the American stage, and played in stock productions in Washington, D.C. and New York City. In New York she played the heroine in Hypocrisy, a story which laid bare "the shame of society." She was promoted by William Fox of Fox Film Corporation for the same kind of strong vamp parts as those played by Theda Bara. Among her movies is Blazing Love (1916), Wildness of Youth (1922), The Vital Question (1916), Sister Against Sister (1917), The Red Kimona (1925), Wizard of Oz (1925), and The Phantom of the Opera (1925). In 1916 Pearson and her husband, movie actor Sheldon Lewis, severed their ties with the Virginia Pearson Producing Company. The couple affiliated themselves with the Independent Productions Company, capitalized at $1,000,000. In 1924 the couple were forced to declare bankruptcy. In 1928, Pearson was legally divorced from Lewis. At the time, it was considered bad box office for screen actresses to be married. However the two remained constant companions., and resided for many years at the old Hollywood Hotel. Later they lived at the Motion Picture Country Hom. Virginia Pearson died of uremic poisoning in Hollywood on June 6, 1958 nearly a month to the day after Sheldon Lewis. She was 72. Funeral services were held at the Pierce Brothers Hollywood Chapel. She was buried with an unmarked grave in Valhalla Memorial Park Cemetery.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.