Mouloud Achour (b. 1980)

Birthplace:
Noisy-le-Sec

Born:
August 1, 1980

Mouloud Achour est un animateur et journaliste télé français. Il est né le 9 août 1980 à Noisy-le-Sec. Sa carrière dans les médias débute dès l'âge de 16 ans, sur Fréquence Paris Plurielle. Fan de hip-hop, il devient ensuite journaliste pour le magazine RadiKal, et monte un label de rap avec le groupe La Caution, baptisé Kerozen.   Repéré par Ariel Wizman, l'animateur décide de collaborer avec lui puis il intègre la chaîne MTV en 2004 pour co-présenter avec China Moses – aujourd'hui au "Grand Journal" de Canal+ - l'émission "MTV Select". Deux ans plus tard, il devient chroniqueur pour "La Matinale" sur Canal+.   En septembre 2008, il intègre le "Grand Journal" de Canal+ pour une chronique sur les nouveaux mouvements. En parallèle, Mouloud Achour fait des apparitions au cinéma comme dans "Sheitan", "Astérix aux Jeux Olympiques", "Cyprien", ou encore "Le Choc des Titans".   Il collabore également avec des magazines comme Technikart ou encore The Source. Dans le "Grand Journal", il anime à partir de la rentrée 2011, le "Daily Mouloud" où il effectue des interviews d'hommes politiques. Il quitte "Le Grand Journal" de Canal+ à la fin de la saison 2012/2013. Depuis septembre 2013, il présente "Clique" le samedi à 12h10, toujours sur Canal+, aux côtés de Louise Chen, Clémentine Lévy, Sébastien Abdelhamid, Abdel Bounane et Joséphine Draï.

Additional information:

The Search Form


Creator:
2013  Clique

Director:
2013  Clique
2020  Clothilde fait un film

Scenario Writer:
2013  Clique
2020  Clothilde fait un film

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.