A work in constant progress (and occasional regress).
Alias:
Alex D'Arcy
Alex d'Arcy
Alexander Sarruf
Alexandre D'Arcy
Alexandre Darcy
Birthplace:
Cairo, Egypt
Born:
August 10, 1908
Died:
April 20, 1996
From Wikipedia, the free encyclopedia Alexander D'Arcy, ( 10 August 1908 – 20 April 1996) was an Egyptian actor with an international film repertoire. Born Alexander Sarruf in Cairo, Egypt, D'Arcy, variously credited as Alexandre D'Arcy, Alex D'Arcy, Alexandre Darcy and Alex d'Arcy appeared in some 45 films, mostly as a suave gentleman or smooth rogue. His first film appearance was in 1927 in The Garden of Allah, before appearing in Alfred Hitchcock's Champagne (1928). He then went to Hollywood where he started by playing supporting roles in several films in the late 1930s including The Prisoner of Zenda (1937) Stolen Holiday (1937), The Awful Truth (1937). In 1953, he was one of Marilyn Monroe's suitors in How to Marry a Millionaire and featured in Abdulla the Great and Soldier of Fortune in 1955. His roles diminished in importance and by the 1960s he was acting mostly on television before resurfacing in horror films, notably It's Hot in Paradise (1962) and as Dracula in Blood of Dracula's Castle (1969). Evidently a favorite of such cult directors as Roger Corman, Russ Meyer and Sam Fuller, D'Arcy was seen in Corman's St. Valentine's Day Massacre (1967), Meyer's The Seven Minutes (1971) and Fuller's Dead Pigeon on Beethoven Street (1972). His last appearance was in a German television detective series in 1973. He died in West Hollywood, California. Description above from the Wikipedia article Alexander D'Arcy, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.