Shane Carruth (b. 1972)

Birthplace:
Myrtle Beach, South Carolina, USA

Born:
January 1, 1972

Carruth was born in Myrtle Beach, South Carolina. Carruth wrote, directed, produced, and performed one of the two main roles, and composed the music for his independent film Primer, which was honored at the 2004 Sundance Film Festival with the Grand Jury Prize and the Alfred P. Sloan Award. As a former software engineer with an undergraduate degree in math, Carruth utilized his technical knowledge on the project.

Additional information:

The Search Form


Additional Editor:
2017  A Ghost Story

Camera Operator:
2013  Upstream Color
2017  A Ghost Story

Cinematography:
2013  Upstream Color
2017  A Ghost Story

Director:
2004  Primer
2013  Upstream Color
2017  A Ghost Story

Editor:
2004  Primer
2013  Upstream Color
2017  A Ghost Story

Executive Producer:
2004  Primer
2013  Sun Don't Shine
2013  Upstream Color
2017  A Ghost Story

Music:
2004  Primer
2013  Sun Don't Shine
2013  Upstream Color
2017  A Ghost Story

Other:
2004  Primer
2013  Sun Don't Shine
2013  Upstream Color
2016  Allegiant
2017  A Ghost Story

Producer:
2004  Primer
2013  Sun Don't Shine
2013  Upstream Color
2016  Allegiant
2017  A Ghost Story
2019  The Dead Center

Production Design:
2004  Primer
2013  Sun Don't Shine
2013  Upstream Color
2016  Allegiant
2017  A Ghost Story
2019  The Dead Center

Sound Designer:
2004  Primer
2013  Sun Don't Shine
2013  Upstream Color
2016  Allegiant
2017  A Ghost Story
2019  The Dead Center

Thanks:
2004  Primer
2012  Looper
2013  Sun Don't Shine
2013  Upstream Color
2014  Devils in Disguise
2015  Silhouettes - Paula Machado
2016  Allegiant
2016  Moonlight
2017  A Ghost Story
2019  The Dead Center

Writer:
2004  Primer
2012  Looper
2013  Sun Don't Shine
2013  Upstream Color
2014  Devils in Disguise
2015  Silhouettes - Paula Machado
2016  Allegiant
2016  Moonlight
2017  A Ghost Story
2019  The Dead Center

Director:
2015  Breakthrough

Original Music Composer:
2015  Breakthrough
2016  The Girlfriend Experience

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.