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Andrew McAllister

Birthplace:
Seattle, Washington, U.S.

Biography from TheMovieDB

Andrew McAllister is a writer/director/editor, most recently editing Sally, a feature documentary set to premiere at the 2025 Sundance Film Festival and .winner of the Alfred P. Sloan Feature Film Prize.  After first directing The Pioneertown Palace (SXSW Grand Jury Nominee), he went on to edit several projects for Netflix including the Grammy-winning documentary Quincy, the Peabody-winning comedy series American Vandal, the investigative documentary The Bleeding Edge (George Polk Journalism Winner) and Nobody Speak: Trials of the Free Press, which premiered at the Sundance Film Festival.  He's been part of several projects for Disney+, directing the documentary series Sketchbook and editing the Emmy-winning feature documentary Stan Lee, the Marvel Comics anthology series Marvel’s 616, the Pixar documentary A Spark Story, More Than Robots (directed by Gillian Jacobs, 2022 SXSW Premiere) and fulfilled his dreams of journeying into the Star Wars galaxy on Obi-Wan Kenobi: A Jedi's Return.  He wrote the screenplay Shaky Shivers which placed as a Finalist at Austin Film Festival, and landed him on MovieMaker Magazine's 25 Screenwriters To Watch list.

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Film Production

Co-Producer:
2023  Stan Lee

Editor:
2008  Take
2010  ZMD: Zombies of Mass Destruction
2014  The Opposition
2015  In Her Place
2017  Nobody Speak: Trials of the Free Press
2018  Quincy
2018  The Bleeding Edge
2023  Stan Lee
2025  Sally

Writer:
2008  Take
2010  ZMD: Zombies of Mass Destruction
2014  The Opposition
2015  In Her Place
2017  Nobody Speak: Trials of the Free Press
2018  Quincy
2018  The Bleeding Edge
2023  Shaky Shivers
2023  Stan Lee
2025  Sally

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TV Production

Director:
2022  Sketchbook

Editor:
2017  American Vandal
2020  Marvel's 616
2022  Sketchbook

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.