Wilson Mizner (1876-1933)

Gallery Unavailable

Birthplace:
Benicia, California, USA

Born:
May 19, 1876

Died:
April 3, 1933

From Wikipedia, the free encyclopedia  Wilson Mizner (May 19, 1876 – April 3, 1933) was an American playwright, raconteur, and entrepreneur. His best-known plays are The Deep Purple, produced in 1910, and The Greyhound, produced in 1912. He was manager and co-owner of The Brown Derby restaurant in Los Angeles, California, and was part of the failed project of his older brother, Addison, to create a new resort in Boca Raton, Florida. Taking considerable liberties with their lives, he and Addison are the protagonists of Stephen Sondheim's musical Road Show (alternately known as Wise Guys, Gold!, and Bounce).  Wilson's playwriting career was undermined by his laziness and an opium addiction that started when he was prescribed painkillers after an assault. He was convicted in 1919 for running a gambling den on Long Island, and received a suspended sentence. After he was nearly beaten to death — the details are unknown — at Addison's invitation he followed him to Palm Beach, Florida, where Addison and other investors were announcing a new resort, Boca Raton, Florida. Wilson was secretary and treasurer of the Mizner Development Corporation created in 1925, in effect working for his brother. Unfortunately Addison's plans were financially unsound and the Corporation was forced into receivership within a year, and bankruptcy soon after.  When Wilson returned to California he obtained backing from Jack L. Warner and Gloria Swanson and bought into and managed the Brown Derby, and wrote screenplays for some of the early talkies. His best known film work is the screenplay for the Michael Curtiz film 20,000 Years in Sing Sing. Wilson called his Hollywood years "a trip through a sewer in a glass-bottomed boat." Several of the brothers' friends from New York, including Marie Dressler and Ben Hecht, helped him in his later escapades.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.