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Masanobu Ando (b. 1975)

Alias:
Andou Masanobu
Andô Masanobu
Andō Masanobu
Masanobu Andou
Masanobu Andô
Masanobu Andō
安藤 政信

Birthplace:
Kawasaki, Kanagawa, Japan

Born:
May 19, 1975

Biography from TheMovieDB

Masanobu Ando  (安藤 政信, Andō Masanobu, born May 19, 1975 in Kawasaki, Kanagawa Prefecture, Japan) is a Japanese actor and director.  For his second film, in 1996, he won the Film Academy of Japan's Best New Actor Award, starring in Takeshi Kitano's Kids Return.  Ando has extensive experience in both Japanese television drama and film and has played a large variety of different roles: mentally challenged (Innocent World), bank robber (Space Travelers, Drive), doctor (Transparent), ninja and samurai (Red Shadow), even a corpse (Monday). Out of all of Ando's characters, he is best known for his role as Kazuo Kiriyama, the heartless, psychopathic killer in the controversial film, Battle Royale (2000). He also played an art forger in the low-budget Battle Royale parody Tokyo 10+01 (2003).  As well as acting, Ando has been in Japanese ad campaigns for the popular Japanese snack food, Pocky, Toyota, and for DoCoMo mobile phones.  In 2003, he directed his first film, Adagietto. Sehr langsam, starring Japanese actress, Kumiko Aso. The short is included in Hiroyuki Nakano's Peacedelic compilation called Short Films. In it, he also stars in the short, 県道スター (loosely translated to "Prefectural road star").  In his spare time, he enjoys photography and shopping  Description above from the Wikipedia article Masanobu Ando, licensed under CC-BY-SA, full list of contributors on Wikipedia

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Film Performances

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Film Production

Director:
2003  SHORT FILMS
2021  Sakura,

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TV Performances

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About the Movie Section

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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