Keke Palmer (b. 1993)

Alias:
キキ・パーマー
琪琪·帕瑪

Birthplace:
Harvey, Illinois, USA

Born:
August 26, 1993

Lauren Keyana "Keke" Palmer (born August 26, 1993) is an American actress, singer and television personality. Known for playing leading and character roles in comedy and drama productions, she has received several accolades, including a Primetime Emmy Award, five NAACP Image Awards, and nominations for a Daytime Emmy Award and a Screen Actors Guild Award. Time magazine included her on their list of most influential people in the world in 2019.  Palmer made her acting debut in Barbershop 2: Back in Business (2004). She later appeared in the television film The Wool Cap (2004), and had her breakthrough starring in the drama film Akeelah and the Bee (2006). She progressed as a child actress with roles in Madea's Family Reunion (2006), Jump In! (2007), The Longshots (2008) and Shrink (2009).  Palmer played a number of roles on Nickelodeon, such as the title character in the sitcom True Jackson, VP (2008–2011). 2014 to 2015 she starred as Ella in Rodgers + Hammerstein's Cinderella on Broadway. She has since starred in the Facebook Watch series Turnt Up with the Taylors (2021) for which she received a Primetime Emmy Award. She also starred in films such as Animal (2014), Hustlers (2019) and Jordan Peele's Nope (2022).

Additional information:

The Search Form


Executive Producer:
2018  Pimp
2022  Alice
2023  Keep Me In Mind
????  Untitled Buddy Comedy Movie

Producer:
2012  Rags
2018  Pimp
2022  Alice
2023  Big Boss
2023  Keep Me In Mind
????  Moxie
????  The Backup
????  Untitled Buddy Comedy Movie

Creator:
2023  Sportsfan

Director:
2023  Sportsfan

Executive Producer:
2021  Foodtastic
2023  Sportsfan

Theme Song Performance:
2008  True Jackson, VP
2021  Foodtastic
2023  Sportsfan

Writer:
2008  True Jackson, VP
2021  Foodtastic
2023  Sportsfan

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.