A work in constant progress (and occasional regress).
Birthplace:
Caracas, Venezuela
Jean Pierre Atahualpa Charles Lichy Verdier, best known as Atahualpa Lichy, is a Franco-Venezuelan filmmaker, known for his film Río Negro (1992). Born in Caracas, Venezuela. In 1956, he moved to Paris and became the assistant of Henry Langlois at the Cinémathèque Française. From 1969 to 1975, he participated in the creation and organization of the Directors’ Fortnight (Quinzaine des cinéastes) in Cannes. Lichy has written, directed and produced more than 60 films in France and Venezuela.
Co-Producer:
1999 At Midnight and a Half
Director:
1965 William Hogarth
1966 La Narbonnaise I : Période pré-romaine
1966 La Narbonnaise II : La province romaine
1967 Idoles et chanteurs I : La chanson, un métier
1967 Idoles et chanteurs II : La chanson, un métier
1968 André Breton (1896-1966) : Je cherche l'or du temps
1968 Le mot et l'image
1968 Les emplois de bureau
1970 Béjart
1970 Les salons de Baudelaire
1972 Celui qui venait d'ailleurs
1972 Travailler loin de chez soi
1974 Travail du comédien
1979 L'Abécédaire du Maréchal
1984 Claves, 1: How Tasty Was My Little Frenchman
1984 Claves, 2: We will return younger
1984 Claves, 3: Small mother country, great mother country
1984 Claves, 4: Memories of Cuban cinema
1992 Black River
1999 At Midnight and a Half
2011 The Mystery of the Lagoons, Andean Fragments
2020 Memorias de un tiempo eterno
2025 Páramos de leyendas
Producer:
1965 William Hogarth
1966 La Narbonnaise I : Période pré-romaine
1966 La Narbonnaise II : La province romaine
1967 Idoles et chanteurs I : La chanson, un métier
1967 Idoles et chanteurs II : La chanson, un métier
1968 André Breton (1896-1966) : Je cherche l'or du temps
1968 Le mot et l'image
1968 Les emplois de bureau
1970 Béjart
1970 Les salons de Baudelaire
1972 Celui qui venait d'ailleurs
1972 Travailler loin de chez soi
1974 Travail du comédien
1979 L'Abécédaire du Maréchal
1984 Claves, 1: How Tasty Was My Little Frenchman
1984 Claves, 2: We will return younger
1984 Claves, 3: Small mother country, great mother country
1984 Claves, 4: Memories of Cuban cinema
1992 Black River
1999 At Midnight and a Half
2002 A Game of Cat and Mouse
2002 Bolivar Is Me
2002 The Crime of Padre Amaro
2011 The Mystery of the Lagoons, Andean Fragments
2020 Memorias de un tiempo eterno
2025 Páramos de leyendas
Writer:
1963 Martin Luther
1965 William Hogarth
1966 La Narbonnaise I : Période pré-romaine
1966 La Narbonnaise II : La province romaine
1967 Idoles et chanteurs I : La chanson, un métier
1967 Idoles et chanteurs II : La chanson, un métier
1968 André Breton (1896-1966) : Je cherche l'or du temps
1968 Le mot et l'image
1968 Les emplois de bureau
1970 Béjart
1970 Les salons de Baudelaire
1972 Celui qui venait d'ailleurs
1972 Travailler loin de chez soi
1974 Travail du comédien
1979 L'Abécédaire du Maréchal
1984 Claves, 1: How Tasty Was My Little Frenchman
1984 Claves, 2: We will return younger
1984 Claves, 3: Small mother country, great mother country
1984 Claves, 4: Memories of Cuban cinema
1992 Black River
1999 At Midnight and a Half
2002 A Game of Cat and Mouse
2002 Bolivar Is Me
2002 The Crime of Padre Amaro
2011 The Mystery of the Lagoons, Andean Fragments
2020 Memorias de un tiempo eterno
2025 Páramos de leyendas
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.