Monte Markham (b. 1935)

Alias:
Buck Finch

Birthplace:
Manatee County, Florida, USA

Born:
June 21, 1935

From Wikipedia, the free encyclopedia.  Monte Markham (born June 21, 1935) is an American actor. During his career, Markham has appeared in film, in television, and on Broadway.  Markham was born in Manatee County, Florida, the son of Millie Content (née Willbur) and Jesse Edward Markham, Sr., who was a merchant.  Markham's many television credits include Cold Case, Mission: Impossible, Here Come the Brides, The Mod Squad, The Virginian, Ellery Queen, Hogan's Heroes, The High Chaparral, The Mary Tyler Moore Show, Alias Smith and Jones, Barnaby Jones, Hawaii Five-O, The Six Million Dollar Man, Quincy, Police Woman, Trapper John M.D., The Incredible Hulk, Hart to Hart, The Fall Guy, Dallas, Matt Houston, Simon and Simon, The Love Boat, Fantasy Island, The A-Team, Finder of Lost Loves, Hotel, Murder She Wrote, The Golden Girls, Baywatch, Melrose Place, Grace Under Fire and Star Trek: Deep Space Nine. He played the title character in the ill-fated 1973 revival of Perry Mason, and the dual role of Luke and Ken Carpenter in the 1967-68 ABC sitcom The Second Hundred Years.  Of these television roles, Markham is perhaps most famous for playing the role of Barney Hiller in two episodes of the Six Million Dollar Man. These episodes are titled: The Seven Million Dollar Man and The Bionic Criminal.  Markham made his Broadway debut in 1973 in Irene, for which he won the Theatre World Award. He also appeared on stage in Same Time, Next Year.  Markham's film work includes Hour of the Gun Guns of the Magnificent Seven, Midway, and Airport 77. He has served as a consultant, director, producer, and narrator for A & E's "Classroom" series.  Description above from the Wikipedia article Monte Markham, licensed under CC-BY-SA, full list of contributors on Wikipedia.​

Additional information:

The Search Form


Director:
1989  Baywatch

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.