Jess Hall (b. 1971)

Born:
March 16, 1971

Jess Hall, ASC, BSC, is a British cinematographer. His parents were Stuart Hall, the Jamaican-born cultural studies pioneer and former professor at the Open University, and Catherine Hall, a professor and leading historian at University College, London.  Hall's first job as cinematographer took place on the production of the film Stander, starring Thomas Jane. He acted as director of photography on several British productions, including the Edgar Wright crime comedy Hot Fuzz, the comedy Son of Rambow, and the drama Brideshead Revisited, his work on which earned him a Satellite Award nomination. Hall began working on American productions, starting with the 2010 comedy The Switch, followed by 30 Minutes or Less, The Spectacular Now, and Transcendence.  He was the cinematographer for the Scarlett Johansson-starring adaptation of the Japanese anime Ghost in the Shell. He has stated that he sought out a digital camera that could replicate the style anime is shown in.  Hall studied at New York University as well as at St. Martins College of Art & Design.  Description above from the Wikipedia article Jess Hall, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Additional information:

The Search Form


Additional Photography:
2024  Ugo: A Homecoming Story

Director of Photography:
1995  Evidentia
2002  Hideous Man
2002  The Cicerones
2003  Stander
2007  Don't
2007  Grindhouse
2007  Hot Fuzz
2007  Son of Rambow
2008  Brideshead Revisited
2009  Creation
2010  The Switch
2011  30 Minutes or Less
2011  D-Minus
2011  The Boy with Chocolate Fingers
2013  The Spectacular Now
2014  Strap Hanging
2014  Transcendence
2015  The Foreigner
2017  Ghost in the Shell
2019  Serenity
2023  Chevalier
2024  Ugo: A Homecoming Story
2025  The Fantastic Four

Director of Photography:
2021  WandaVision
2023  Monarch: Legacy of Monsters

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.