A work in constant progress (and occasional regress).
Alias:
J. Abrhám
Josef Abrham
Josef Abrhám st.
Jozef Abrhám
Йозеф Абрахам
Birthplace:
Zlín, Protectorate Bohemia and Moravia [now Czech Republic]
Born:
December 14, 1939
Died:
May 16, 2022
He graduated from DAMU, after which he played for three seasons at the Vinohrady Theatre (then the Czechoslovak Army Theatre). He then anchored at the Drama Club until 1992, where his performances won him critical acclaim. He briefly performed at the National Theatre, but left the theatre permanently in August 1994. He became popular with the public mainly thanks to his appearances in film and television. His first major film role was given to him in 1962 by director Brynych in the film Transport from Paradise (1962). This was followed by the roles of the expectant father in The Scream (1963) and the writer Hašek, whom he played in The Great Journey (1963). In the film Man Against Destruction (1989) he played the main role of the writer Karel Čapek. From 1990 to 1995 he performed in accompanying programmes at exhibitions (Herbert Masaryk, T. G. Masaryk - Man and Art) organised by the Masaryk Democratic Movement. In 2006 he was nominated for the Czech Lion in the category of supporting actor. After an eight-year relationship with Nadia Urbánková, he was married to actress Libuša Šafránková from 1976 (until her death in June 2021). They have a son Josef (* 1977), who has 4 children - two sons with his first wife Denisa Grimmová, a director, sons Josef (* 2006) and Antonín (* 2009) and a daughter Laura and a son Benjamin with his second wife Ludmila. Description above from the Wikipedia article Josef Abrhám, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.