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Adam Stone

Biography from TheMovieDB

Adam Stone is an American cinematographer for film productions, often working with film director Jeff Nichols. He's a graduate of the Film School at the University of North Carolina School of the Arts, Winston-Salem, USA.

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Additional information:

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Film Production

"B" Camera Operator:
2016  Masterminds

Cinematography:
2016  Masterminds
2021  Untold: Caitlyn Jenner

Director of Photography:
2007  Great World of Sound
2007  Shotgun Stories
2011  Take Shelter
2012  Compliance
2013  Mud
2014  Lift You Up
2016  Loving
2016  Masterminds
2016  Midnight Special
2018  Damsel
2018  Long Way Back Home
2021  Untold: Caitlyn Jenner
2021  Untold: Deal with the Devil
2022  2nd Chance
2022  Untold: The Race of the Century
2023  If Dreams Were Lightning
2024  The Bikeriders

Second Unit Cinematographer:
2003  All the Real Girls
2007  Great World of Sound
2007  Shotgun Stories
2011  Take Shelter
2012  Compliance
2013  Mud
2014  Lift You Up
2016  Loving
2016  Masterminds
2016  Midnight Special
2018  Damsel
2018  Long Way Back Home
2021  Untold: Caitlyn Jenner
2021  Untold: Deal with the Devil
2022  2nd Chance
2022  Untold: The Race of the Century
2023  If Dreams Were Lightning
2024  The Bikeriders

Second Unit Director of Photography:
2003  All the Real Girls
2007  Great World of Sound
2007  Shotgun Stories
2011  Take Shelter
2012  Compliance
2013  Mud
2014  Camp X-Ray
2014  Lift You Up
2016  Loving
2016  Masterminds
2016  Midnight Special
2018  Damsel
2018  Long Way Back Home
2021  Untold: Caitlyn Jenner
2021  Untold: Deal with the Devil
2022  2nd Chance
2022  Untold: The Race of the Century
2023  If Dreams Were Lightning
2024  The Bikeriders

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TV Performances

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TV Production

Director of Photography:
2018  Wild Wild Country
2019  Conversations with a Killer: The Ted Bundy Tapes
2022  Conversations with a Killer: The John Wayne Gacy Tapes
2022  Trainwreck: Woodstock '99
2022  WWE Evil

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.