Jeffrey Hartmann

A work in constant progress (and occasional regress).

Gina Shay

Biography from TheMovieDB

Gina Shay is an American producer at DreamWorks Animation specializing in animated feature films. She was nominated for the Visual Effects Society Award for Outstanding Visual Effects in an Animated Feature award due to her contributions to the 2010 film Shrek Forever After. Most recently, through Gina Shay's work as producer of DreamWorks' 2016 animated film Trolls, she has expressed owning a position that advocates for generating content that affects positive body images in youth. Gina Shay verbalized this notion at the DreamWorks Animation presentation in Hall H of the 2016 San Diego Comic-Con, stating: "As filmmakers we feel like it's our responsibility to give girls memorable characters that don't make them feel inadequate in body image. My daughter's eleven, she has a really powerful mind and I would rather have her using it to be imaginative instead of obsessing in front of a mirror because all girls are beautiful." Shay is divorced from Ralph Bakshi's son, Preston. She started her career as a production assistant on Bakshi's 1992 film Cool World. Her son, Miles Bakshi, provided the voice for Tim Templeton in the DreamWorks Animation's film The Boss Baby. Description above from the Wikipedia article Gina Shay, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.