Elinor Glyn (1864-1943)

Birthplace:
Jersey, Channel Islands, UK

Born:
October 16, 1864

Died:
September 23, 1943

Elinor Glyn was a British novelist and scriptwriter who specialised in romantic fiction, which was considered scandalous for its time, although her works are relatively tame by modern standards.

Additional information:

The Search Form


Adaptation:
1927  It
1930  Knowing Men

Director:
1927  It
1930  Knowing Men
1930  The Price of Things

Novel:
1917  Three Weeks
1919  The Career of Katherine Bush
1922  Beyond the Rocks
1923  Six Days
1924  His Hour
1924  Three Weeks
1927  It
1928  Mad Hour
1928  Red Hair
1930  Knowing Men
1930  The Price of Things

Producer:
1917  Three Weeks
1919  The Career of Katherine Bush
1922  Beyond the Rocks
1923  Six Days
1924  His Hour
1924  Three Weeks
1927  It
1928  Mad Hour
1928  Red Hair
1930  Knowing Men
1930  The Price of Things

Screenplay:
1917  Three Weeks
1919  The Career of Katherine Bush
1922  Beyond the Rocks
1923  Six Days
1924  His Hour
1924  Three Weeks
1925  Man and Maid
1927  It
1928  Mad Hour
1928  Red Hair
1930  Knowing Men
1930  The Price of Things

Story:
1917  Three Weeks
1919  The Career of Katherine Bush
1921  The Great Moment
1922  Beyond the Rocks
1922  The World's a Stage
1923  Six Days
1924  His Hour
1924  How to Educate a Wife
1924  Three Weeks
1925  Man and Maid
1927  It
1928  Mad Hour
1928  Red Hair
1929  The Man and the Moment
1930  Knowing Men
1930  Such Men Are Dangerous
1930  The Price of Things

Writer:
1917  Three Weeks
1919  The Career of Katherine Bush
1921  The Great Moment
1922  Beyond the Rocks
1922  The World's a Stage
1923  Six Days
1924  His Hour
1924  How to Educate a Wife
1924  Three Weeks
1925  Man and Maid
1925  The Only Thing
1926  Love's Blindness
1927  It
1928  Mad Hour
1928  Red Hair
1929  The Man and the Moment
1930  Knowing Men
1930  Such Men Are Dangerous
1930  The Price of Things

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.