A work in constant progress (and occasional regress).
Birthplace:
Jersey, Channel Islands, UK
Born:
October 16, 1864
Died:
September 23, 1943
Elinor Glyn was a British novelist and scriptwriter who specialised in romantic fiction, which was considered scandalous for its time, although her works are relatively tame by modern standards.
Adaptation:
1927 It
1930 Knowing Men
Director:
1927 It
1930 Knowing Men
1930 The Price of Things
Novel:
1917 Three Weeks
1919 The Career of Katherine Bush
1922 Beyond the Rocks
1923 Six Days
1924 His Hour
1924 Three Weeks
1927 It
1928 Mad Hour
1928 Red Hair
1930 Knowing Men
1930 The Price of Things
Producer:
1917 Three Weeks
1919 The Career of Katherine Bush
1922 Beyond the Rocks
1923 Six Days
1924 His Hour
1924 Three Weeks
1927 It
1928 Mad Hour
1928 Red Hair
1930 Knowing Men
1930 The Price of Things
Screenplay:
1917 Three Weeks
1919 The Career of Katherine Bush
1922 Beyond the Rocks
1923 Six Days
1924 His Hour
1924 Three Weeks
1925 Man and Maid
1927 It
1928 Mad Hour
1928 Red Hair
1930 Knowing Men
1930 The Price of Things
Story:
1917 Three Weeks
1919 The Career of Katherine Bush
1921 The Great Moment
1922 Beyond the Rocks
1922 The World's a Stage
1923 Six Days
1924 His Hour
1924 How to Educate a Wife
1924 Three Weeks
1925 Man and Maid
1927 It
1928 Mad Hour
1928 Red Hair
1929 The Man and the Moment
1930 Knowing Men
1930 Such Men Are Dangerous
1930 The Price of Things
Writer:
1917 Three Weeks
1919 The Career of Katherine Bush
1921 The Great Moment
1922 Beyond the Rocks
1922 The World's a Stage
1923 Six Days
1924 His Hour
1924 How to Educate a Wife
1924 Three Weeks
1925 Man and Maid
1925 The Only Thing
1926 Love's Blindness
1927 It
1928 Mad Hour
1928 Red Hair
1929 The Man and the Moment
1930 Knowing Men
1930 Such Men Are Dangerous
1930 The Price of Things
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.