Pierre Barouh (1934-2016)

Birthplace:
Paris, France

Born:
February 19, 1934

Died:
December 28, 2016

Pierre Barouh (born Élie Pierre Barouh; 19 February 1934 – 28 December 2016) was a French writer-composer-singer best known for his work on Claude Lelouch's film A Man and a Woman as an actor and the lyricist/singer for Francis Lai's music score. Barouh was born in Paris and along with his brother, Albert, and sister, was raised in Levallois-Perret. Their parents were Turkish-Jewish stallholders selling fabrics. During the Second World War, their parents hid them from the Nazis; Pierre and his sister in Montournais and Albert in la Limouzinière. During these years Élie, baptised Pierre, lived at La Grèlerie, the home of Hilaire and Marie Rocher, who had two sons. From this time, he drew inspiration for songs like "À bicyclette", "Des ronds dans l'eau" and "Les Filles du dimanche".  After the war, he was briefly a sports journalist for Paris-Presse-Intransigeant and also played for the national volleyball B team in the 1950s. He spent some months in Portugal and discovered Brazilian music. He visited Brazil in 1959 and on his return to Paris got to know the principal Brazilian writers and composers of bossa nova.  With his first earnings he bought the mill, la Morvient, by the river in Le Boupère in the Vendée where he had spent part of his childhood. There he established a recording studio and welcomed other artists, using it to advance the talent of others and creating his own label Saravah in 1965. With the label he wished to mix musicians and styles, to multiply musical encounters. He worked, notably, with Pierre Akendengué, Areski Belkacem, Brigitte Fontaine, Nana Vasconcelos, Gérard Ansaloni, Jacques Higelin, Alfred Panou, Maurane, David McNeil, Elis Regina.  Soon after the label's creation, Barouh realised that he was not a manager and so entrusted management to a teenage friend he had known when he was 15 playing volleyball. However, in 1972, he discovered that this friend had stolen 1,500,000 francs by means which prevented Barouh from being able to get any of it back, as he "had given him everything: signatures, etc".  As an actor, he played the role of the gypsy leader in the film D'ou viens-tu Johnny? and appeared in Lelouch's Une fille et des fusils. As writer/performer he had success with La Plage – immortalised by Marie Laforêt and the guitarist Claude Ciari -, Tes dix-huit ans and Monsieur de Furstenberg. He shot a documentary on the beginnings of bossa nova with his longtime friend Baden Powell de Aquino.  In 1966 he participated in the enormous success of the film A Man and a Woman which won the Palme d'Or at the 1966 Festival de Cannes. He married the actress Anouk Aimée the same year; they divorced three years later.  Barouh died in the Hôpital Cochin in Paris from an infarction on 28 December 2016, at the age of 82. He was buried a week later at Montmartre Cemetery.  Source: Article "Pierre Barouh" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.