Kirk Tougas
A work in constant progress (and occasional regress).
Additional Camera:
2017 Holy Angels
Additional Photography:
1994 Hands of History
2017 Holy Angels
Camera Operator:
1994 Hands of History
2000 Shadow Chasers
2017 Holy Angels
Cinematography:
1994 Hands of History
2000 Shadow Chasers
2017 Holy Angels
2017 The Last Key
???? The Canadian Delegation
Director:
1973 Letters from Vancouver
1973 The Framing of Perception
1973 The Politics of Perception
1989 Did You Used to Be R.D. Laing?
1994 Hands of History
2000 Shadow Chasers
2017 Holy Angels
2017 The Last Key
2018 ARTIFACT (Circa 2006)
???? The Canadian Delegation
Director of Photography:
1973 Letters from Vancouver
1973 The Framing of Perception
1973 The Politics of Perception
1984 Low Visibility
1988 A Rustling of Leaves: Inside the Philippine Revolution
1989 Did You Used to Be R.D. Laing?
1992 Manufacturing Consent: Noam Chomsky and the Media
1993 Blockade
1994 A Case Study: Cambodia and East Timor
1994 A Propaganda Model of the Media Plus Exploring Alternative Media
1994 Concision: No Time for New Ideas
1994 Hands of History
1997 Forgotten Warriors
1998 A Place Called Chiapas
2000 Shadow Chasers
2003 Obâchan's Garden
2003 The Corporation
2007 The Green Chain
2012 Tracks Across Sand
2013 Crazywater
2015 Bevel Up
2017 Holy Angels
2017 The Last Key
2018 ARTIFACT (Circa 2006)
2018 The Rankin File: Legacy of a Radical
???? The Canadian Delegation
Editor:
1973 Letters from Vancouver
1973 The Framing of Perception
1973 The Politics of Perception
1984 Low Visibility
1988 A Rustling of Leaves: Inside the Philippine Revolution
1989 Did You Used to Be R.D. Laing?
1992 Manufacturing Consent: Noam Chomsky and the Media
1993 Blockade
1994 A Case Study: Cambodia and East Timor
1994 A Propaganda Model of the Media Plus Exploring Alternative Media
1994 Concision: No Time for New Ideas
1994 Hands of History
1997 Forgotten Warriors
1998 A Place Called Chiapas
2000 Shadow Chasers
2003 Obâchan's Garden
2003 The Corporation
2007 The Green Chain
2012 Tracks Across Sand
2013 Crazywater
2015 Bevel Up
2017 Holy Angels
2017 The Last Key
2018 ARTIFACT (Circa 2006)
2018 The Rankin File: Legacy of a Radical
???? The Canadian Delegation
Producer:
1973 Letters from Vancouver
1973 The Framing of Perception
1973 The Politics of Perception
1984 Low Visibility
1988 A Rustling of Leaves: Inside the Philippine Revolution
1989 Did You Used to Be R.D. Laing?
1992 Manufacturing Consent: Noam Chomsky and the Media
1993 Blockade
1994 A Case Study: Cambodia and East Timor
1994 A Propaganda Model of the Media Plus Exploring Alternative Media
1994 Concision: No Time for New Ideas
1994 Hands of History
1997 Forgotten Warriors
1998 A Place Called Chiapas
2000 Shadow Chasers
2003 Obâchan's Garden
2003 The Corporation
2007 The Green Chain
2012 Tracks Across Sand
2013 Crazywater
2015 Bevel Up
2017 Holy Angels
2017 The Last Key
2018 ARTIFACT (Circa 2006)
2018 The Rankin File: Legacy of a Radical
???? The Canadian Delegation
Still Photographer:
1973 Letters from Vancouver
1973 The Framing of Perception
1973 The Politics of Perception
1984 Low Visibility
1988 A Rustling of Leaves: Inside the Philippine Revolution
1989 Did You Used to Be R.D. Laing?
1992 Manufacturing Consent: Noam Chomsky and the Media
1993 Blockade
1994 A Case Study: Cambodia and East Timor
1994 A Propaganda Model of the Media Plus Exploring Alternative Media
1994 Concision: No Time for New Ideas
1994 Double Happiness
1994 Hands of History
1997 Forgotten Warriors
1998 A Place Called Chiapas
2000 Shadow Chasers
2003 Obâchan's Garden
2003 The Corporation
2007 The Green Chain
2012 Tracks Across Sand
2013 Crazywater
2015 Bevel Up
2017 Holy Angels
2017 The Last Key
2018 ARTIFACT (Circa 2006)
2018 The Rankin File: Legacy of a Radical
???? The Canadian Delegation
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.