Yolande Decarsin

Gallery Unavailable

Additional information:

The Search Form


Sound:
2001  La Défaite du rouge-gorge
2002  Chamonix
2004  On dirait Nino Ferrer
2004  Quand nous étions punk
2012  Les Invisibles
2014  How we built the Moscow metro
2017  12 Days
2017  Ava
2018  Celebration
2020  Adolescents
2020  Little Girl
2021  Belleville, belle et rebelle
2022  The Five Devils
2023  The Mountain
2024  Cool Headed
2024  Le Chignon

Sound Designer:
2001  La Défaite du rouge-gorge
2002  Chamonix
2004  On dirait Nino Ferrer
2004  Quand nous étions punk
2007  Back to Normandy
2012  Les Invisibles
2014  How we built the Moscow metro
2017  12 Days
2017  Ava
2018  Celebration
2020  Adolescents
2020  Little Girl
2021  Belleville, belle et rebelle
2022  The Five Devils
2023  The Mountain
2024  Cool Headed
2024  Le Chignon

Sound Director:
2001  La Défaite du rouge-gorge
2002  Chamonix
2004  On dirait Nino Ferrer
2004  Quand nous étions punk
2007  Back to Normandy
2008  Capri
2012  Les Invisibles
2014  How we built the Moscow metro
2017  12 Days
2017  Ava
2018  Celebration
2020  Adolescents
2020  Little Girl
2021  Belleville, belle et rebelle
2022  The Five Devils
2023  The Mountain
2024  Cool Headed
2024  Le Chignon

Sound Editor:
2001  La Défaite du rouge-gorge
2002  Chamonix
2004  On dirait Nino Ferrer
2004  Quand nous étions punk
2007  Back to Normandy
2008  Capri
2012  Les Invisibles
2014  How we built the Moscow metro
2017  12 Days
2017  Ava
2018  Celebration
2020  Adolescents
2020  Little Girl
2021  Belleville, belle et rebelle
2022  Feminist Riposte
2022  The Five Devils
2023  The Mountain
2024  Cool Headed
2024  Le Chignon

Sound Engineer:
2001  La Défaite du rouge-gorge
2002  Chamonix
2004  On dirait Nino Ferrer
2004  Quand nous étions punk
2007  Back to Normandy
2008  Capri
2012  Les Invisibles
2014  How we built the Moscow metro
2017  12 Days
2017  Ava
2018  Celebration
2020  Adolescents
2020  Little Girl
2021  Belleville, belle et rebelle
2021  H24 - 08:00: 10cm Above Ground
2022  Feminist Riposte
2022  The Five Devils
2023  The Mountain
2024  Cool Headed
2024  Le Chignon

Sound Mixer:
2001  La Défaite du rouge-gorge
2002  Chamonix
2004  On dirait Nino Ferrer
2004  Quand nous étions punk
2007  Back to Normandy
2008  Capri
2012  Les Invisibles
2014  How we built the Moscow metro
2017  12 Days
2017  Ava
2018  Celebration
2020  Adolescents
2020  Little Girl
2021  Belleville, belle et rebelle
2021  H24 - 08:00: 10cm Above Ground
2022  Feminist Riposte
2022  The Five Devils
2023  The Mountain
2024  Cool Headed
2024  Le Chignon
2025  Magma

Sound Recordist:
2001  La Défaite du rouge-gorge
2002  Chamonix
2003  The Days When I Don’t Exist
2004  On dirait Nino Ferrer
2004  Quand nous étions punk
2007  Back to Normandy
2008  Capri
2012  Les Invisibles
2014  How we built the Moscow metro
2017  12 Days
2017  Ava
2018  Celebration
2018  The Strange Life of Dr. Frankenstein
2020  Adolescents
2020  Back Home
2020  Little Girl
2021  Belleville, belle et rebelle
2021  H24 - 08:00: 10cm Above Ground
2022  Feminist Riposte
2022  The Five Devils
2023  The Mountain
2024  Cool Headed
2024  Le Chignon
2025  Magma
????  Nino by Night

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.