A work in constant progress (and occasional regress).
Birthplace:
Brooklyn, New York, USA
Born:
August 20, 1919
Died:
January 22, 2021
In February 1941, Bernstein was drafted into the U.S. Army. Eventually attaining the rank of Sergeant, he spent most of World War II as a correspondent on the staff of the Army newspaper Yank, filing dispatches from Iran, Palestine, Egypt, North Africa, Sicily and Yugoslavia. He wrote of his experiences in Palestine in an article entitled "War and Palestine". Bernstein wrote a number of articles and stories based on his experiences in the Army, many of which originally appeared in The New Yorker. These were collected in Keep Your Head Down, his first book, published in 1945. Bernstein first came to Hollywood in 1947, under a ten-week contract with writer-producer-director Robert Rossen at Columbia Pictures. Following that stint, he worked for a while for producer Harold Hecht, which resulted in his first screen credit, shared with Ben Maddow, for their adaptation of the Gerald Butler novel Kiss the Blood Off My Hands for the 1948 Universal film. He subsequently returned to New York, where he continued writing for The New Yorker and other magazines, and eventually found work as a scriptwriter in the early days of live television. In 1950, because of his numerous left-wing political affiliations and related activities, his name appeared in the notorious publication Red Channels, and as a result he found himself blacklisted. Throughout the 1950s, however, he managed to continue writing for television, both under pseudonyms and through the use of "fronts" (non-blacklisted individuals who would permit their names to appear on his work). In this manner, he contributed to several notable TV programs of the era, including Danger, the CBS News docudrama series You Are There and the mystery series Colonel March of Scotland Yard. (It has been incorrectly stated in some sources that Bernstein's blacklisting resulted from "unfriendly" testimony given to HUAC in 1951, but in fact he was not subpoenaed by the Committee until the late 1950s, and never actually testified.) His screenwriting career began to rebound from the blacklist when director Sidney Lumet hired him to write the screenplay for the 1959 Sophia Loren movie That Kind of Woman. From then on Bernstein was able to work openly on films such as Paris Blues (1961) and Fail-Safe (1964). He also contributed, without receiving credit, to the screenplays of The Magnificent Seven (1960) and The Train (1964), and was one of several writers who worked on the script for the ill-fated Something's Got to Give, which was left uncompleted at the time of the death of its star, Marilyn Monroe, in 1962.
Adaptation:
1948 Kiss the Blood Off My Hands
1960 A Breath of Scandal
Co-Executive Producer:
1948 Kiss the Blood Off My Hands
1960 A Breath of Scandal
2000 Fail Safe
Director:
1948 Kiss the Blood Off My Hands
1960 A Breath of Scandal
1980 Little Miss Marker
1991 Women & Men 2: In Love There Are No Rules
2000 Fail Safe
Producer:
1948 Kiss the Blood Off My Hands
1960 A Breath of Scandal
1970 The Molly Maguires
1980 Little Miss Marker
1991 Women & Men 2: In Love There Are No Rules
2000 Fail Safe
Screenplay:
1948 Kiss the Blood Off My Hands
1959 That Kind of Woman
1959 The Wonderful Country
1960 A Breath of Scandal
1960 Heller in Pink Tights
1960 The Magnificent Seven
1961 Paris Blues
1964 Fail Safe
1964 The Train
1970 The Molly Maguires
1976 The Front
1977 Semi-Tough
1978 The Betsy
1979 An Almost Perfect Affair
1979 Yanks
1980 Little Miss Marker
1991 Women & Men 2: In Love There Are No Rules
2000 Fail Safe
Story:
1948 Kiss the Blood Off My Hands
1959 That Kind of Woman
1959 The Wonderful Country
1960 A Breath of Scandal
1960 Heller in Pink Tights
1960 The Magnificent Seven
1961 Paris Blues
1964 Fail Safe
1964 The Train
1970 The Molly Maguires
1976 The Front
1977 Semi-Tough
1978 The Betsy
1979 An Almost Perfect Affair
1979 Yanks
1980 Little Miss Marker
1991 Women & Men 2: In Love There Are No Rules
1995 The Affair
2000 Fail Safe
Teleplay:
1948 Kiss the Blood Off My Hands
1959 That Kind of Woman
1959 The Wonderful Country
1960 A Breath of Scandal
1960 Heller in Pink Tights
1960 The Magnificent Seven
1961 Paris Blues
1964 Fail Safe
1964 The Train
1970 The Molly Maguires
1976 The Front
1977 Semi-Tough
1978 The Betsy
1979 An Almost Perfect Affair
1979 Yanks
1980 Little Miss Marker
1991 Women & Men 2: In Love There Are No Rules
1995 The Affair
2000 Fail Safe
Writer:
1948 Kiss the Blood Off My Hands
1959 That Kind of Woman
1959 The Wonderful Country
1960 A Breath of Scandal
1960 Heller in Pink Tights
1960 The Magnificent Seven
1961 Paris Blues
1962 Something's Got to Give
1964 Fail Safe
1964 The Train
1965 The Money Trap
1970 The Molly Maguires
1976 The Front
1977 Semi-Tough
1978 The Betsy
1979 An Almost Perfect Affair
1979 Yanks
1980 Little Miss Marker
1988 The House on Carroll Street
1991 Women & Men 2: In Love There Are No Rules
1994 Doomsday Gun
1995 The Affair
1997 Miss Evers' Boys
1999 Durango
2000 Fail Safe
Additional Writing:
1957 DuPont Show of the Month
Creator:
1957 DuPont Show of the Month
2011 Hidden
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.