Joe Bini

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Alias:
Giuseppe Gaetano Bini

Birthplace:
San Mateo, California, USA

Joe Bini is an American film editor born in 1963 in San Mateo, California. As a film editor, he has collaborated with Werner Herzog on numerous documentaries and feature films in twenty years, including: Little Dieter Needs to Fly (1997), Invincible (2001), Grizzly Man (2005), Rescue Dawn (2007), and Encounters at the End of the World (2007), Into the abyss (2011) or Into the Inferno (2016).  He has also collaborated with Marina Zenovich (Roman Polanski: Wanted and Desired, 2008), Andrea Arnold (American Honey, 2016) or Lynne Ramsay (We Need to talk about Kevin, 2011; You Were Never Really Here, 2017).

Additional information:

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Additional Editing:
2017  Downsizing

Director:
2017  Downsizing
2018  A Thousand Thoughts
2020  Little Ethiopia: Chez Nous

Editor:
1997  Little Dieter Needs to Fly
1999  My Best Fiend
2000  Wings of Hope
2001  Invincible
2001  Pilgrimage
2002  Ten Minutes Older: The Trumpet
2003  Wheel of Time
2004  The White Diamond
2005  Grizzly Man
2005  In the Edges: The 'Grizzly Man' Session
2005  The Wild Blue Yonder
2006  Rescue Dawn
2007  Encounters at the End of the World
2008  Roman Polanski: Wanted and Desired
2009  Bad Lieutenant: Port of Call - New Orleans
2009  La Bohème
2009  My Son, My Son, What Have Ye Done
2010  Cave of Forgotten Dreams
2010  Happy People: A Year in the Taiga
2010  The Tillman Story
2011  Into the Abyss
2011  We Need to Talk About Kevin
2013  From One Second to the Next
2014  Tales of the Grim Sleeper
2015  Queen of the Desert
2016  American Honey
2016  Into the Inferno
2016  Salt and Fire
2017  Downsizing
2017  You Were Never Really Here
2018  A Thousand Thoughts
2020  Little Ethiopia: Chez Nous
2022  All the Beauty and the Bloodshed
2024  My First Film
2025  Bird
????  Napoli 1990, Napoli 2023
????  Polaris

Writer:
1997  Little Dieter Needs to Fly
1999  My Best Fiend
2000  Wings of Hope
2001  Invincible
2001  Pilgrimage
2002  Ten Minutes Older: The Trumpet
2003  Wheel of Time
2004  The White Diamond
2005  Grizzly Man
2005  In the Edges: The 'Grizzly Man' Session
2005  The Wild Blue Yonder
2006  Rescue Dawn
2007  Encounters at the End of the World
2008  Roman Polanski: Wanted and Desired
2009  Bad Lieutenant: Port of Call - New Orleans
2009  La Bohème
2009  My Son, My Son, What Have Ye Done
2010  Cave of Forgotten Dreams
2010  Happy People: A Year in the Taiga
2010  The Tillman Story
2011  Into the Abyss
2011  We Need to Talk About Kevin
2013  From One Second to the Next
2014  Tales of the Grim Sleeper
2015  Queen of the Desert
2016  American Honey
2016  Into the Inferno
2016  Salt and Fire
2017  Downsizing
2017  You Were Never Really Here
2018  A Thousand Thoughts
2020  Little Ethiopia: Chez Nous
2022  All the Beauty and the Bloodshed
2024  My First Film
2025  Bird
????  Napoli 1990, Napoli 2023
????  Polaris

Editor:
1999  2000 Years of Christianity
2015  Mr. Robot

Story Consultant:
1999  2000 Years of Christianity
2015  Mr. Robot
2021  9/11: One Day in America

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.