A work in constant progress (and occasional regress).
Additional Photography:
2004 The Butterfly Effect
Camera Operator:
1993 Doppelganger
2004 The Butterfly Effect
Cinematography:
1993 Doppelganger
2004 The Butterfly Effect
2018 Once in a Lifetime Sessions with OneRepublic
Director:
1993 Doppelganger
2004 The Butterfly Effect
2012 Jaws: The Restoration
2018 Once in a Lifetime Sessions with OneRepublic
Director of Photography:
1992 Meatballs 4: To the Rescue
1993 Doppelganger
1994 Ancient Prophecies II: Countdown to Doomsday
2004 Taxi
2004 The Butterfly Effect
2012 Jaws: The Restoration
2017 Pearl Jam: Let's Play Two
2018 Danger One
2018 Once in a Lifetime Sessions with Moby
2018 Once in a Lifetime Sessions with OneRepublic
Second Unit Director of Photography:
1992 Meatballs 4: To the Rescue
1993 Doppelganger
1993 Jailbait
1994 Ancient Prophecies II: Countdown to Doomsday
2004 Taxi
2004 The Butterfly Effect
2012 Jaws: The Restoration
2017 Pearl Jam: Let's Play Two
2018 Danger One
2018 Once in a Lifetime Sessions with Moby
2018 Once in a Lifetime Sessions with OneRepublic
Director of Photography:
1996 Sex, Censorship and the Silver Screen
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.