A work in constant progress (and occasional regress).
Alias:
Garou le fou
Birthplace:
Montreal, Quebec, Canada
Born:
June 25, 1944
Robert Charlebois (born June 25, 1944) is a Québecois author, composer, musician, performer and actor. Charlebois was born in Montreal, Quebec. Among his best known songs are Lindberg (the duo with Louise Forestier in particular), Ordinaire, Les Ailes d'un Ange and Je reviendrai à Montréal. His lyrics, often written in joual, are funny, relying upon plays on words. He won the Sopot International Song Festival in 1970. In 1970 he sang with Italian singer Patty Pravo the Italian song La solitudine. In the same year, he performed at the Festival Express train tour in Canada, but did not appear on the documentary film. In 1968, he had an acting role in Jean Pierre Lefebvre's film Straight to the Heart (Jusqu'au cœur). He co-starred with Terence Hill, Miou-Miou and Patrick McGoohan in the western Un genio, due compari, un pollo (A Genius, Two Partners and a Dupe, 1975) as Steamengine Bill. Thirty-eight years later, Charlebois had a cameo as Jean-Seb Bigstone, the French-Canadian Broadway producer, in the 2012 Gad Elmaleh/Sophie Marceau film Happiness Never Comes Alone. The Quebec-based microbrewery Unibroue was owned, in part, by Charlebois until it was purchased by Sleeman Breweries in 2004 which in turn was bought by Japanese beer brewing giant Sapporo in 2006. Source: Article "Robert Charlebois" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Music:
1974 Les « troubbes » de Johnny
1983 La Fiancée qui venait du froid
Original Music Composer:
1969 Straight to the Heart
1970 Two Women In Gold
1974 Les « troubbes » de Johnny
1975 Act of Aggression
1983 La Fiancée qui venait du froid
1999 August 32nd on Earth
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.