A work in constant progress (and occasional regress).
Alias:
グリーグ・フレイザー
Birthplace:
Melbourne, Australia
Born:
October 3, 1975
Greig Fraser, ACS, ASC, (born 3 October 1975) is an Australian cinematographer who studied at the RMIT University. For his work on Dune he won his first Academy Award for Best Cinematography in 2022. His most well-known work includes the films Zero Dark Thirty (2012), Lion (2016), Rogue One (2016), Vice (2018), Dune (2021) and its sequel Dune: Part Two (2024), The Batman (2022) and The Creator (2023). For his work on Lion, he won the American Society of Cinematographers Award for Outstanding Achievement in Cinematography in Theatrical Releases and AACTA Award for Best Cinematography and received Academy Award and BAFTA Award nominations.
Additional Photography:
2018 Gringo
Camera Operator:
2009 Last Ride
2012 Lore
2018 Gringo
Cinematography:
2006 The Caterpillar Wish
2006 The Water Diary
2007 Crossbow
2008 Netherland Dwarf
2008 Paradise
2009 Last Ride
2012 Lore
2018 Gringo
Co-Producer:
2006 The Caterpillar Wish
2006 The Water Diary
2007 Crossbow
2008 Netherland Dwarf
2008 Paradise
2009 Last Ride
2012 Lore
2018 Gringo
2023 The Creator
Director of Photography:
2000 P.I.N.S
2003 Cracker Bag
2004 Fuel
2004 Marco Solo
2005 Jewboy
2005 Lucky
2006 Love This Time
2006 Out of the Blue
2006 The Caterpillar Wish
2006 The Water Diary
2007 Crossbow
2007 Spider
2007 To Each His Own Cinema
2008 8
2008 Netherland Dwarf
2008 Paradise
2009 Bright Star
2009 Last Ride
2009 The Boys Are Back
2010 Let Me In
2011 Scenes from the Suburbs
2012 Killing Them Softly
2012 Lore
2012 Snow White and the Huntsman
2012 Zero Dark Thirty
2013 The Captain
2014 Foxcatcher
2014 The Gambler
2016 Lion
2016 Rogue One: A Star Wars Story
2018 Gringo
2018 Mary Magdalene
2018 Vice
2021 Dune
2022 The Batman
2023 The Creator
2024 Dune: Part Two
2026 Project Hail Mary
2026 The Batman - Part II
Second Unit Director of Photography:
2000 P.I.N.S
2003 Cracker Bag
2004 Fuel
2004 Marco Solo
2005 Jewboy
2005 Lucky
2006 Love This Time
2006 Out of the Blue
2006 The Caterpillar Wish
2006 The Water Diary
2007 Crossbow
2007 Spider
2007 To Each His Own Cinema
2008 8
2008 Australia
2008 Netherland Dwarf
2008 Paradise
2009 Bright Star
2009 Last Ride
2009 The Boys Are Back
2010 Let Me In
2011 Scenes from the Suburbs
2012 Killing Them Softly
2012 Lore
2012 Snow White and the Huntsman
2012 Zero Dark Thirty
2013 The Captain
2014 Foxcatcher
2014 The Gambler
2016 Lion
2016 Rogue One: A Star Wars Story
2018 Gringo
2018 Mary Magdalene
2018 Vice
2021 Dune
2022 The Batman
2023 The Creator
2024 Dune: Part Two
2026 Project Hail Mary
2026 The Batman - Part II
Still Photographer:
2000 P.I.N.S
2003 Cracker Bag
2004 Fuel
2004 Marco Solo
2005 Jewboy
2005 Lucky
2006 Love This Time
2006 Out of the Blue
2006 The Caterpillar Wish
2006 The Water Diary
2007 Crossbow
2007 Spider
2007 To Each His Own Cinema
2008 8
2008 Australia
2008 Netherland Dwarf
2008 Paradise
2009 Bright Star
2009 Last Ride
2009 The Boys Are Back
2010 Let Me In
2011 Scenes from the Suburbs
2012 Killing Them Softly
2012 Lore
2012 Snow White and the Huntsman
2012 Zero Dark Thirty
2013 The Captain
2014 Foxcatcher
2014 The Gambler
2016 Lion
2016 Rogue One: A Star Wars Story
2018 Gringo
2018 Mary Magdalene
2018 Vice
2021 Dune
2022 The Batman
2023 The Creator
2024 Dune: Part Two
2026 Project Hail Mary
2026 The Batman - Part II
Co-Producer:
2019 The Mandalorian
Director of Photography:
2019 The Mandalorian
Thanks:
2019 The Mandalorian
2022 Obi-Wan Kenobi
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.