Vibeke Windeløv (b. 1950)

Birthplace:
Frederiksberg, Denmark

Born:
December 22, 1950

Vibeke Windeløv (born 22 December 1950) is a Danish film producer. She founded Refugees United in 2008 and served on numerous corporate boards, film festival juries, and association committees. She produced the films of Lars von Trier for ten years.  She served on the board of the European Film Academy 1998–2004, on the Jury of the Venice Film Festival 2001, the Montreal Film Festival 2006, Sundance Film Festival 2009, and chaired the juries of numerous festivals including the international film festival Vladivostok 2008, Ghent 2008 & Sevilla 2008.  She is on the board of European Film Bond, Filmstationen, and the Danish Design Center. She is appointed a member of the School Council at the Danish Academy of Fine Arts by the Minister of Culture.  She has recently founded the production companies Windelov/Lassen Aps as well as Windelov/Lassen Interactive Aps together with producer Stinna Lassen.

Additional information:

The Search Form


Co-Producer:
2000  New Year's Day

Executive Producer:
1997  Credo
1997  The Kingdom II
2000  New Year's Day
2001  Morlang
2003  The Five Obstructions
2009  Mammoth
2009  Wallander 14 - The Revenge
2009  Wallander 16 - Kuriren
2010  King of Devil's Island
2010  Wallander 23 - The Ghost
2010  Wallander 24 - The Heritage
2010  Wallander 25 - The Collector
2010  Wallander 26 - The Witness
2018  The Charmer

Producer:
1989  Notes on Love
1993  Family Matters
1996  Breaking the Waves
1997  Credo
1997  The Kingdom II
1998  The Idiots
2000  Dancer in the Dark
2000  New Year's Day
2000  The King Is Alive
2001  Morlang
2002  Open Hearts
2003  Dogville
2003  The Five Obstructions
2005  Manderlay
2006  The Boss of It All
2009  Mammoth
2009  Wallander 14 - The Revenge
2009  Wallander 16 - Kuriren
2010  King of Devil's Island
2010  Wallander 23 - The Ghost
2010  Wallander 24 - The Heritage
2010  Wallander 25 - The Collector
2010  Wallander 26 - The Witness
2012  Love Is All You Need
2018  The Charmer

Production Controller:
1977  Asger Jorn
1989  Notes on Love
1993  Family Matters
1996  Breaking the Waves
1997  Credo
1997  The Kingdom II
1998  The Idiots
2000  Dancer in the Dark
2000  New Year's Day
2000  The King Is Alive
2001  Morlang
2002  Open Hearts
2003  Dogville
2003  The Five Obstructions
2005  Manderlay
2006  The Boss of It All
2009  Mammoth
2009  Wallander 14 - The Revenge
2009  Wallander 16 - Kuriren
2010  King of Devil's Island
2010  Wallander 23 - The Ghost
2010  Wallander 24 - The Heritage
2010  Wallander 25 - The Collector
2010  Wallander 26 - The Witness
2012  Love Is All You Need
2018  The Charmer

Production Manager:
1977  Asger Jorn
1980  Black Pete – No, You're It
1989  Notes on Love
1993  Family Matters
1996  Breaking the Waves
1997  Credo
1997  The Kingdom II
1998  The Idiots
2000  Dancer in the Dark
2000  New Year's Day
2000  The King Is Alive
2001  Morlang
2002  Open Hearts
2003  Dogville
2003  The Five Obstructions
2005  Manderlay
2006  The Boss of It All
2009  Mammoth
2009  Wallander 14 - The Revenge
2009  Wallander 16 - Kuriren
2010  King of Devil's Island
2010  Wallander 23 - The Ghost
2010  Wallander 24 - The Heritage
2010  Wallander 25 - The Collector
2010  Wallander 26 - The Witness
2012  Love Is All You Need
2018  The Charmer

Executive Producer:
2005  Wallander
2019  Wisting

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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