Abdi Nazemian

Abdi Nazemian spent his childhood in a series of exciting locations (Tehran, Paris, Toronto, New York), but could usually be found in his bedroom watching old movies and reading.  Abdi was a staff writer for NBC’s THE VILLAGE, and has written five produced films: THE ARTIST’S WIFE (upcoming) MENENDEZ: BLOOD BROTHERS (Lifetime, 2017), THE QUIET (Sony Pictures Classics, 2006), CELESTE IN THE CITY (ABC Family, 2004), and BEAUTIFUL GIRL (ABC FAMILY, 2003). He also wrote, directed and produced the short film REVOLUTION (2012). He is proud to say that his words have been spoken by the likes of Carmela Soprano, The Nanny, and The Girl With The Most Cake.  Abdi’s first novel, THE WALK-IN CLOSET, was awarded Best Debut at the Lambda Literary Awards. He has written two young adult novels, both published by Balzer + Bray / HarperCollins: THE AUTHENTICS (2017) and LIKE A LOVE STORY (2019), an Indie Next Pick.  As Head of Development for Water’s End Productions, Abdi has been an executive producer or associate producer on numerous films, including CALL ME BY YOUR NAME, IT HAPPENED IN L.A., THE PRICE, THE HOUSE OF TOMORROW, and LITTLE WOODS.  Abdi has been interviewed by HuffPost Live and Fox News, and has written for numerous websites, including The Advocate and W. He lives in Los Angeles with his two children and his fiancé, and holds dual citizenship between the United States and Canada.  Abdi is not the inspiration for Madonna’s children’s book “The Adventures of Abdi,” though he will forever insist that he is.

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2019  The Village

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.