Olga Vanessa Aristodemou

Olga Vanessa Aristodemou played Kirsty in the 2011 Lee Neville Entertainment short film Time Always Moving. Olga believes that a career in the entertainment industry is not a ‘dream’ but a realistic life choice and a fulfilling one at that. She has so far trained and worked professionally in LA, London and Cyprus. She has experienced a variety of mediums including Stage, Film and TV and Hosting and Commercial work. She also writes and draws and has taught modeling and worked in the field as a child. From her portrayal of Abigail Williams in 'The Crucible', to taking the stage at the ancient amphitheatre of Curium in Cyprus, where she originates, she is always ready to meet and surpass the demands of alternate spaces and audiences; with the desire to command her craft and prosper as an artist and a person. She has appeared in multiple short films and in the realm of comedy and improvisation, enjoyed a run at the Avery Schreiber theatre’s ongoing production 'One night stands-the sex comedies' written and directed by Paul Storiale in LA. Having had some practical training in radio broadcasting she plans to produce her own radio show in the near future. She has spent the past year exploring physical theatre and devised performance and developing her Meisner Technique at The Actors' Temple and The Actors Centre in London. When in LA she auditions frequently for feature films, working as News Anchor and Host at Transit TV and is in the preliminary stages of writing her radio show and book. She also takes an ongoing scene study class at The Ivana Chubbuck Studio. She aims to continue to build on her career internationally with a focus on independent film.

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.