Stefan Nadelman

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Animation:
2003  Terminal Bar
2004  One Step Ahead
2015  Terminal Bar - Last Call
2017  Liyana
2022  "Sr."
2022  Moonage Daydream

Animation Director:
2003  Terminal Bar
2004  One Step Ahead
2011  Connected: An Autoblogography About Love, Death & Technology
2015  Terminal Bar - Last Call
2017  Jane
2017  Liyana
2022  "Sr."
2022  Moonage Daydream

Director:
2000  Latin Alive
2003  Terminal Bar
2003  Tourist Pictures
2004  One Step Ahead
2004  Sink
2006  Cinema16: American Short Films
2006  Food Fight
2010  Terminal Bar - Pimps and Prostitutes
2011  Connected: An Autoblogography About Love, Death & Technology
2012  Terminal Bar - Porters, Bouncers and Bartenders
2012  Terminal Bar - The Garbage Can
2013  Wild Bichons
2015  Terminal Bar - Last Call
2015  Wave Form
2017  Jane
2017  Liyana
2022  "Sr."
2022  Moonage Daydream

Editor:
2000  Latin Alive
2003  Terminal Bar
2003  Tourist Pictures
2004  One Step Ahead
2004  Sink
2006  Cinema16: American Short Films
2006  Food Fight
2010  Terminal Bar - Pimps and Prostitutes
2011  Connected: An Autoblogography About Love, Death & Technology
2012  Terminal Bar - Porters, Bouncers and Bartenders
2012  Terminal Bar - The Garbage Can
2013  Wild Bichons
2015  Terminal Bar - Last Call
2015  Wave Form
2017  Jane
2017  Liyana
2022  "Sr."
2022  Moonage Daydream

Graphic Designer:
2000  Latin Alive
2003  Terminal Bar
2003  Tourist Pictures
2004  One Step Ahead
2004  Sink
2006  Cinema16: American Short Films
2006  Food Fight
2010  Terminal Bar - Pimps and Prostitutes
2011  Connected: An Autoblogography About Love, Death & Technology
2012  Terminal Bar - Porters, Bouncers and Bartenders
2012  Terminal Bar - The Garbage Can
2013  Wild Bichons
2015  Terminal Bar - Last Call
2015  Wave Form
2017  Jane
2017  Liyana
2022  "Sr."
2022  Moonage Daydream

Producer:
2000  Latin Alive
2003  Terminal Bar
2003  Tourist Pictures
2004  One Step Ahead
2004  Sink
2006  Cinema16: American Short Films
2006  Food Fight
2010  Terminal Bar - Pimps and Prostitutes
2011  Connected: An Autoblogography About Love, Death & Technology
2012  Terminal Bar - Porters, Bouncers and Bartenders
2012  Terminal Bar - The Garbage Can
2013  Wild Bichons
2015  Terminal Bar - Last Call
2015  Wave Form
2017  Jane
2017  Liyana
2022  "Sr."
2022  Moonage Daydream

Script:
2000  Latin Alive
2003  Terminal Bar
2003  Tourist Pictures
2004  One Step Ahead
2004  Sink
2006  Cinema16: American Short Films
2006  Food Fight
2010  Terminal Bar - Pimps and Prostitutes
2011  Connected: An Autoblogography About Love, Death & Technology
2012  Terminal Bar - Porters, Bouncers and Bartenders
2012  Terminal Bar - The Garbage Can
2013  Wild Bichons
2015  Terminal Bar - Last Call
2015  Wave Form
2017  Jane
2017  Liyana
2022  "Sr."
2022  Moonage Daydream

Sound:
2000  Latin Alive
2003  Terminal Bar
2003  Tourist Pictures
2004  One Step Ahead
2004  Sink
2006  Cinema16: American Short Films
2006  Food Fight
2010  Terminal Bar - Pimps and Prostitutes
2011  Connected: An Autoblogography About Love, Death & Technology
2012  Terminal Bar - Porters, Bouncers and Bartenders
2012  Terminal Bar - The Garbage Can
2013  Wild Bichons
2015  Terminal Bar - Last Call
2015  Wave Form
2017  Jane
2017  Liyana
2022  "Sr."
2022  Moonage Daydream

Writer:
2000  Latin Alive
2003  Terminal Bar
2003  Tourist Pictures
2004  One Step Ahead
2004  Sink
2006  Cinema16: American Short Films
2006  Food Fight
2010  Terminal Bar - Pimps and Prostitutes
2011  Connected: An Autoblogography About Love, Death & Technology
2012  Terminal Bar - Porters, Bouncers and Bartenders
2012  Terminal Bar - The Garbage Can
2013  Wild Bichons
2015  Terminal Bar - Last Call
2015  Wave Form
2017  Jane
2017  Liyana
2022  "Sr."
2022  Moonage Daydream

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.