A work in constant progress (and occasional regress).
Animation:
2003 Terminal Bar
2004 One Step Ahead
2015 Terminal Bar - Last Call
2017 Liyana
2022 "Sr."
2022 Moonage Daydream
Animation Director:
2003 Terminal Bar
2004 One Step Ahead
2011 Connected: An Autoblogography About Love, Death & Technology
2015 Terminal Bar - Last Call
2017 Jane
2017 Liyana
2022 "Sr."
2022 Moonage Daydream
Director:
2000 Latin Alive
2003 Terminal Bar
2003 Tourist Pictures
2004 One Step Ahead
2004 Sink
2006 Cinema16: American Short Films
2006 Food Fight
2010 Terminal Bar - Pimps and Prostitutes
2011 Connected: An Autoblogography About Love, Death & Technology
2012 Terminal Bar - Porters, Bouncers and Bartenders
2012 Terminal Bar - The Garbage Can
2013 Wild Bichons
2015 Terminal Bar - Last Call
2015 Wave Form
2017 Jane
2017 Liyana
2022 "Sr."
2022 Moonage Daydream
Editor:
2000 Latin Alive
2003 Terminal Bar
2003 Tourist Pictures
2004 One Step Ahead
2004 Sink
2006 Cinema16: American Short Films
2006 Food Fight
2010 Terminal Bar - Pimps and Prostitutes
2011 Connected: An Autoblogography About Love, Death & Technology
2012 Terminal Bar - Porters, Bouncers and Bartenders
2012 Terminal Bar - The Garbage Can
2013 Wild Bichons
2015 Terminal Bar - Last Call
2015 Wave Form
2017 Jane
2017 Liyana
2022 "Sr."
2022 Moonage Daydream
Graphic Designer:
2000 Latin Alive
2003 Terminal Bar
2003 Tourist Pictures
2004 One Step Ahead
2004 Sink
2006 Cinema16: American Short Films
2006 Food Fight
2010 Terminal Bar - Pimps and Prostitutes
2011 Connected: An Autoblogography About Love, Death & Technology
2012 Terminal Bar - Porters, Bouncers and Bartenders
2012 Terminal Bar - The Garbage Can
2013 Wild Bichons
2015 Terminal Bar - Last Call
2015 Wave Form
2017 Jane
2017 Liyana
2022 "Sr."
2022 Moonage Daydream
Producer:
2000 Latin Alive
2003 Terminal Bar
2003 Tourist Pictures
2004 One Step Ahead
2004 Sink
2006 Cinema16: American Short Films
2006 Food Fight
2010 Terminal Bar - Pimps and Prostitutes
2011 Connected: An Autoblogography About Love, Death & Technology
2012 Terminal Bar - Porters, Bouncers and Bartenders
2012 Terminal Bar - The Garbage Can
2013 Wild Bichons
2015 Terminal Bar - Last Call
2015 Wave Form
2017 Jane
2017 Liyana
2022 "Sr."
2022 Moonage Daydream
Script:
2000 Latin Alive
2003 Terminal Bar
2003 Tourist Pictures
2004 One Step Ahead
2004 Sink
2006 Cinema16: American Short Films
2006 Food Fight
2010 Terminal Bar - Pimps and Prostitutes
2011 Connected: An Autoblogography About Love, Death & Technology
2012 Terminal Bar - Porters, Bouncers and Bartenders
2012 Terminal Bar - The Garbage Can
2013 Wild Bichons
2015 Terminal Bar - Last Call
2015 Wave Form
2017 Jane
2017 Liyana
2022 "Sr."
2022 Moonage Daydream
Sound:
2000 Latin Alive
2003 Terminal Bar
2003 Tourist Pictures
2004 One Step Ahead
2004 Sink
2006 Cinema16: American Short Films
2006 Food Fight
2010 Terminal Bar - Pimps and Prostitutes
2011 Connected: An Autoblogography About Love, Death & Technology
2012 Terminal Bar - Porters, Bouncers and Bartenders
2012 Terminal Bar - The Garbage Can
2013 Wild Bichons
2015 Terminal Bar - Last Call
2015 Wave Form
2017 Jane
2017 Liyana
2022 "Sr."
2022 Moonage Daydream
Writer:
2000 Latin Alive
2003 Terminal Bar
2003 Tourist Pictures
2004 One Step Ahead
2004 Sink
2006 Cinema16: American Short Films
2006 Food Fight
2010 Terminal Bar - Pimps and Prostitutes
2011 Connected: An Autoblogography About Love, Death & Technology
2012 Terminal Bar - Porters, Bouncers and Bartenders
2012 Terminal Bar - The Garbage Can
2013 Wild Bichons
2015 Terminal Bar - Last Call
2015 Wave Form
2017 Jane
2017 Liyana
2022 "Sr."
2022 Moonage Daydream
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.