A work in constant progress (and occasional regress).
Alias:
Adrienne Truex
Ruth Adrienne McClure
Birthplace:
Fort Worth, Texas, USA
Born:
August 3, 1907
Died:
May 31, 1947
From Wikipedia, the free encyclopedia Adrienne Ames (August 3, 1907 – May 31, 1947) was an American film actress. Born Adrienne Ruth McClure in Fort Worth, Texas, Ames began her film career in 1927 as a stand-in for Pola Negri. Ames was soon cast in small film roles in silent films. With the advent of talking pictures, Ames' popularity grew and she was usually cast as society women, or in musicals. She made thirty films during the 1930s with her biggest success in George White's Scandals (1934), a film which was also notable as the debut of Alice Faye. Ames also appeared with the three leading men from the 1931 version of Dracula (Bela Lugosi, David Manners, and Edward Van Sloan) in The Death Kiss (1932). By the end of the decade Ames' popularity had diminished and, discouraged, she left Hollywood for New York. In 1941 she became a radio personality, headlining a talk show on station WHN in New York City. Her program was successful, and was scheduled regularly until just before her death in 1947. Ames was married three times, including to actor Bruce Cabot from 1933 until 1937. Ames died of cancer on May 31, 1947 in New York City. She is interred in the Oakwood Cemetery in her hometown of Fort Worth, Texas. For her contributions to the motion picture industry, Adrienne Ames has a star on the Hollywood Walk of Fame at 1612 Vine Street. Description above from the Wikipedia article Adrienne Ames, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.