A work in constant progress (and occasional regress).
Alias:
Horatiu Malaele
Horațiu-Valentin Mălăele
Birthplace:
Târgu-Jiu, Gorj, Romania
Born:
August 1, 1952
Horațiu-Valentin Mălăele (born 1 August 1952) is a Romanian actor, cartoonist, writer, and theater and film director. In this last capacity his is often associated with the Romanian New Wave. Born in 1952 Târgu-Jiu, he had a public art exhibit in his final year of secondary school, the first of over 30 as of 2016. Mălăele graduated in 1975 from the Institute of Theater and Cinema in Bucharest and first became a professional actor with the National Theater of Romania in Piatra Neamț. He returned to Bucharest, where he became a prominent actor, working in many of Romania's leading theaters including Nottara, Odeon, and Bulandra. He then became a director, directing such plays as O sărbătoare princiară ("A Princely Feast") by Theodor Mazilu (1982 at Nottara Theatre), A Flea in Her Ear by Georges Feydeau (1993 at Nottara Theatre), and Carlo contra Carlo ("Carlo against Carlo") by Paul Ioachim (1994 at the Odeon), which won him that year's Romanian Comedy Festival Prize. He has since directed over a dozen other stage productions. He first appeared as a film actor in 1974, appearing in two films that year: Păcală ("Caution") and Muntele Ascuns ("The Hidden Mountain", and has gone on to act in over two dozen other films. He also directed Palaria ("The Hat", 2004, TV movie), Nunta mută ("Silent Wedding", 2008) and Funeralii fericite ("Happy Funerals", 2013). He has also written two books: the autobiographical Horaţiu despre Mălăele ("Horatiu about Malaele", ISBN 9731812172, and Wanderings, a collection of short episodes, aphorisms, and memories.
Director:
2008 Silent Wedding
2013 Happy Funerals
2020 Luca
Screenplay:
2008 Silent Wedding
2013 Happy Funerals
2020 Luca
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Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.