Grant McLachlan

Alias:
Grant Innes McLachlan

Birthplace:
Cape Town, South Africa

A huge influence in my life came from several years of piano study, and a continuing friendship with Lise-Martine Jeanneret, in turn a pupil of Madeleine Lipatti. Her infectious enthusiasm and deep understanding of all periods of music, as well as support for my composing, continues to inspire me. Lise-Martine also commissioned several compositions from me for her Music at Mill House summer festivals…..

Additional information:

The Search Form


Music:
1995  Savannah Cats
1996  Cycle of the Seasons
1996  The Musiara Marsh
1998  Sense & Scentability
2002  City Slickers: A tale of two African penguins
2006  Africa's Outsiders
2010  Pride in Battle
2010  The Last Lion of Liuwa
2011  The Journey – Stories from the 2010 FIFA World Cup South Africa
2012  The White Lions
2012  Underwater Okavango
2019  2099: The Soldier Protocol
2023  Life and Death at Mala Mala

Original Music Composer:
1995  Born Wild
1995  Savannah Cats
1996  Cycle of the Seasons
1996  The Musiara Marsh
1998  Sense & Scentability
2002  City Slickers: A tale of two African penguins
2006  Africa's Outsiders
2006  Faith Like Potatoes
2010  Ocean Odyssey
2010  Pride in Battle
2010  The Last Lion of Liuwa
2011  The Journey – Stories from the 2010 FIFA World Cup South Africa
2012  10 Terrorists
2012  The White Lions
2012  Underwater Okavango
2015  Electric Amazon
2019  2099: The Soldier Protocol
2023  Life and Death at Mala Mala

Sound:
1992  Deadly Chase
1995  Born Wild
1995  Savannah Cats
1996  Cycle of the Seasons
1996  The Musiara Marsh
1998  Sense & Scentability
2002  City Slickers: A tale of two African penguins
2006  Africa's Outsiders
2006  Faith Like Potatoes
2010  Ocean Odyssey
2010  Pride in Battle
2010  The Last Lion of Liuwa
2011  The Journey – Stories from the 2010 FIFA World Cup South Africa
2012  10 Terrorists
2012  The White Lions
2012  Underwater Okavango
2015  Electric Amazon
2019  2099: The Soldier Protocol
2023  Life and Death at Mala Mala

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.