A work in constant progress (and occasional regress).
Alias:
Balaji Shaktivel
Birthplace:
Dindigul, Tamil Nadu, India
Born:
January 1, 1964
Balaji Sakthivel began as an assistant director of popular director S. Shankar. In 2002, he directed his first film, Samurai for Vikram - however despite receiving positive reviews, did not make it big at the box-office. After a two-year break, he released Kaadhal under the S Pictures banner, the production house of Shankar. The film starring relatively new actors, Bharath and Sandhya made it big at the box-office and earned the stars and the director instant recognition. His Vazhakku Enn 18/9 won the National Film Award for Best Feature Film in Tamil.Balaji Sakthivel is married to Dr. L.R.S. Kalanithi, who is an Associate Professor of English and Vice-principal (Students' Affairs) of Guru Nanak College (Autonomous), Chennai. They have two children, a daughter (B.K.Koushi Mahalakshmi) born in 2004 and a son (B.K.Vidhyadharan) born in 2007. Their native is Dindigul. They were residing in Virugambakkam, Chennai. But have recently moved to a nearby neighbourhood Ramapuram, Chennai.
Director:
2002 Samurai
2004 Kaadhal
2007 Kaloori
2012 Vazhakku Enn 18/9
Original Story:
2002 Samurai
2004 Kaadhal
2007 Kaloori
2008 Chirodini Tumi Je Amar
2012 Vazhakku Enn 18/9
2013 Manjari
2015 Ramta Jogi
Screenplay:
2002 Samurai
2004 Kaadhal
2007 Kaloori
2008 Chirodini Tumi Je Amar
2012 Vazhakku Enn 18/9
2013 Manjari
2015 Ramta Jogi
Story:
2002 Samurai
2004 Kaadhal
2007 Kaloori
2008 Chirodini Tumi Je Amar
2012 Vazhakku Enn 18/9
2013 Manjari
2015 Ramta Jogi
Writer:
2002 Samurai
2004 Kaadhal
2007 Kaloori
2008 Chirodini Tumi Je Amar
2012 Vazhakku Enn 18/9
2013 Black Butterfly
2013 Manjari
2015 Ramta Jogi
Director:
2023 Modern Love Chennai
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.