Markus Imhoof (b. 1941)

Alias:
Маркус Имхоф

Birthplace:
Winterthur, Switzerland

Born:
September 19, 1941

Markus Imhoof (born 19 September 1941) is a Swiss film director, screenwriter, theatre and opera director.  He began his career as a documentary maker, focusing on controversial issues. His 1968 film Rondo was a critical look at the prison system in Switzerland. The film was banned until 1975. His next picture, Ormenis 199+69 (1969) also met with censorship, as it examined the role and treatment of horses in the cavalry and suggested that the unit ought to be disbanded. Imhoof was forced to make some edits before the film could be screened in public, removing scenes that military veterans found objectionable. Only in 2002 did the film became available in uncensored form. Volksmund - oder man ist was man isst (Vernacular - One Is What One Eats) (1972) was a documentary critical of consumption in society.  Later in his career Imhoof began directing regular narrative films as well. His film Das Boot ist voll (The Boat Is Full) (1980) received international acclaim for showing the downside of Switzerland's neutral politics during World War II. The film depicted a group of Jewish refugees in 1942 being forced to return to Nazi Germany on order of the Swiss government and thus meeting their deaths in the concentration camps. At the time it was the first Swiss film to deal with this controversial topic. Imhoof's next film, Die Reise (The Journey) (1986) examined Baader-Meinhof's terrorism. Der Berg (The Mountain) (1990) was a psycholoical study of three people stranded on top of a mountain with only enough food for three of them to survive. Flammen im Paradies (Fire in Paradise) (1997) is also a psychological study, this time depicting a young man promised in marriage who switches places with a woman bound for India.  Source: Article "Markus Imhoof" from Wikipedia in English, licensed under CC-BY-SA 3.0

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.