Sybil Jason (1927-2011)

Alias:
Sybil Jacobson

Birthplace:
Cape Town, South Africa

Born:
November 23, 1927

Died:
August 23, 2011

From Wikipedia, the free encyclopedia  Sybil Jacon was a South African-born, American child film actress who, in the late 1930s, was presented as a rival to Shirley Temple.  Born in Cape Town, South Africa, she began playing the piano at age two and, a year later, began making public appearances doing impersonations of Maurice Chevalier. She was introduced to the theatre-going public of London by way of her uncle, Harry Jacobson, a then-popular London orchestra leader and also pianist for Gracie Fields. The apex of her career came with a concert performance with Frances Day at London's Palace Theatre. Her theatre work led to appearances on radio and phonograph records as well as a supporting role in the film Barnacle Bill.  Irving Asher, the head of Warner Bros.' London studio, saw Jason's performance in Barnacle Bill and arranged for her to make a screen test for the studio. The test was a success, resulting in Warner Bros. signing her to a contract. Her American film debut came as the lead in Little Big Shot, directed by Michael Curtiz and co-starring Glenda Farrell, Robert Armstrong, and Edward Everett Horton.  Jason followed this with supporting roles opposite some of Warner Bros. most popular stars, including Kay Francis in I Found Stella Parish, Al Jolson in The Singing Kid, Pat O'Brien and Humphrey Bogart in The Great O'Malley, and again with Kay Francis in Comet Over Broadway. Warners also starred her in The Captain's Kid, and four Vitaphone two-reelers filmed in Technicolor: Changing of the Guard, A Day at Santa Anita, Little Pioneer, and The Littlest Diplomat.  Jason never became the major rival to Shirley Temple that Warner Bros. had hoped, and her film career ended after playing two supporting roles at 20th-Century Fox. These films — The Little Princess and The Blue Bird — were supported Temple, who became her lifelong friend.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.