A work in constant progress (and occasional regress).
Alias:
Jean-François Grandin
Birthplace:
Paris, France
Born:
October 12, 1941
Died:
October 11, 2012
Frank Alamo (born Jean-François Grandin; 12 October 1941 – 11 October 2012) was a French singer. He achieved his greatest success in the 1960s. He was born in Paris. He sang in a leading French children's choir, "Les Petits Chanteurs à la croix de bois", and studied music in London between 1957 and 1960. While skiing at Val-d'Isère in 1962, he met pop music promoter and record company executive Eddie Barclay, who heard him singing popular English and American songs in French. Barclay signed him to his label, and persuaded him to take the stage name Frank Alamo, the surname being in tribute to John Wayne's film The Alamo. Alamo helped popularise the yé-yé style of music in France. His hit records included "Biche ô ma Biche" ("Sweets for My Sweet"), "Je veux prendre ta main" ("I Want to Hold Your Hand"), and "Je me bats pour gagner" ("A Hard Day's Night"). In all, he released 30 singles over a five-year period in the early and mid-1960s, including some original songs. He retired from the music business when he married in 1969, becoming a photographer and later a manager in the automobile industry. In 1983, he was chasing a beautiful blonde girl who was driving a funny car, she brought him to a factory and there Frank Alamo bought not a single car but the whole plant: the Dallas jeep company. He sold it in 1996 in order to give further singing performances. However he never recovered success. He was married twice. He died in Paris in 2012, on the eve of his 71st birthday, after having been diagnosed with amyotrophic lateral sclerosis (ALS). Source: Article "Frank Alamo" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.