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Heinrich Weidemann

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Film Production

Art Direction:
1943  Reise in die Vergangenheit
1954  Emil and the Detectives
1955  Der Pfarrer von Kirchfeld
1956  Der Fremdenführer von Lissabon
1956  Der Glockengießer von Tirol
1956  Tausend Melodien
1956  The Farmer from Brucknerhof
1958  Stefanie
1959  Melody and Rhythms
1961  Und sowas nennt sich Leben
1965  Genghis Khan

Production Design:
1943  Reise in die Vergangenheit
1949  Liebesheirat
1949  Philine
1952  At the well in front of the gate
1953  Mailman Mueller
1953  Vergiß die Liebe nicht
1954  Die schöne Müllerin
1954  Emil and the Detectives
1955  Der Pfarrer von Kirchfeld
1955  Wenn die Alpenrosen blüh'n
1955  Your Life Guards
1956  Der Fremdenführer von Lissabon
1956  Der Glockengießer von Tirol
1956  Ein Herz schlägt für Erika
1956  Solange noch die Rosen blüh'n
1956  Tausend Melodien
1956  The Farmer from Brucknerhof
1957  All Roads Lead Home
1957  Der Adler vom Velsatal
1957  Die Unschuld vom Lande
1957  Gruß und Kuss vom Tegernsee
1957  Unter Palmen am blauen Meer
1958  Stefanie
1959  Melody and Rhythms
1959  Notes from a Gynecologist's Diary
1959  Peter schießt den Vogel ab
1959  Rebel Flight to Cuba
1961  Und sowas nennt sich Leben
1961  Wie einst im Mai
1964  In the Wild West
1965  Genghis Khan

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.